The History of the Angelic Visitor to Manoppello, Italy

Relic of the Veil of the Holy Face, procession in Manoppello, Italy. Photo: Alexandra Prandell — May 2026

Each May the Basilica Shrine of the Holy Face in Manoppello, Italy, commemorates the mysterious arrival of their most treasured relic — a shimmering, transparent veil which, in a miraculous manner, bears the Holy Face of Jesus. May 15, 16, 17, and 18, 2026 were marked by solemn liturgies, Eucharistic adoration, and processions with the Holy Veil. The centuries-old story behind the joyous celebrations is an incredible one!

This 15th c. painting detail shows the relic veil of “Veronica,” as portrayed by the artist who saw the original at the Vatican before it disappeared from view after the Sack of Rome in 1527. Note the light transparency of the veil and its characteristic folds, the open eyes that gaze to one side or the other. Witnesses at that time described the Face on the Holy Veil as a changing, living image: “transparent, light, dark, bluish, or golden.”
The Vatican Museum now displays the broken Rock Crystal reliquary that held the “Veronica Veil” prior to the Sack of Rome in 1527.

Following the Sack of Rome in 1527, it had been widely reported that the most treasured relic of the Vatican — the “Veronica Veil” — had been stolen. A letter, written to the Duchess of Urbino by her representative Urban, dated May 21, 1527 read: “Holy relics have been thrown out onto the streets. The Veronica has been stolen and passed around in taverns from person to person without a word of protest.” The crystal reliquary that had displayed the sheer veil known as the “Veronica” or true image, was broken and empty. The relic veil was no longer seen in public. When the dust had settled somewhat by 1616, Pope Paul V had prohibited copies to be made of the “Veronica” to be made without permission. Later, Pope Urban VIII ordered that any copies of the Veronica were to be handed in to a local priest or Bishop under pain of excommunication. It appeared to many that a desperate effort was being made to recover that which had been lost.

More than a century later, In 1638, in the Abruzzo mountains, towards the Adriatic coast, “a devout and well-respected man” named Don Antonio Fabritiis donated a precious veil bearing the Face of Christ to the Capuchin monastery in the small, isolated mountain village of Manoppello, Italy. The story, of how the veil arrived and eventually had come into his possession, was carefully recorded and certified in a document entitled Relazione Historica.

The Relazione Historica told of the arrival of the Veil in Mannoppello, Italy, “in May,” around 1506, in the hands of a mysterious stranger who was thought to have been a holy angel, having had suddenly appeared and just as suddenly disappeared, after fulfilling a mission to put a miraculous relic into safe hands. Aside from the “angel,” all the main characters in the story have since been historically verified.

The re-telling the local legend of the Veil was written by Capuchin Donato da Bomba and notarized in 1646 and then, certified by sixteen local witnesses. The unusual number of witnesses — reflected the local peoples deep devotion and protectiveness of relic –also giving legal weight and credence to the miraculous account of the appearance of Holy Veil in Manoppello. However, the Relatzione’s recorded date of 1506 as being the actual date of arrival has been disputed by some. More than a century after the “Veronica Veil” in the Vatican had disappeared, the document seemed to conveniently date the arrival before 1527, thus avoiding the possible sanctions of Pope Paul V and Pope Urban VIII against possessing or copying the “True Image of the Face of Christ.”

The beautiful Basilica Shrine of “Il Volto Santo” –The Holy Face — nestled in the Abruzzo mountains. (Photo: by Paul Badde)

The recorded story told was this: “There lived in Manoppello the very famous Giacomo Antonio Leonelli, doctor in medicine…one day when he was out in the public square just outside of the door of the Mother church of the town of Manoppello, St. Nicholas Bari, in honest conversation with other peers, and while they were speaking a pilgrim arrived unknown by anyone, with a very venerable religious appearance, who having greeted this beautiful circle of citizens, he said, with many terms of manners, and of humility to Dr. Giacomo Antonio Leonelli that he had to speak with him about a secret thing which would be very pleasing, useful and profitable for him. And thus, taking him aside just inside the doorway of the church of St. Nicholas Bari, gave him a parcel, and without unfolding it told him that he ought to hold this devotion very dear, because God would do him many favors, so that in things both temporal and spiritual he would always prosper.”  So the doctor took the parcel and turning towards the holy water fount carefully opened it, and “seeing the Most Sacred Face of Our Lord Christ…he burst into most tender tears…and thanking God for such a gift…turned to the unknown pilgrim to thank him…but he did not see him anymore.”  When the good doctor, “shaken” and “filled with wonder,” went outside to his friends and asked where the man went, his friends replied that they never saw him exit the church. They searched high and low but never found the mysterious pilgrim, “hence all judged that the man in the form of a pilgrim to be a heavenly Angel, or else a Saint from Paradise.”  

The Holy Veil remained the property of the Leonelli family for nearly a century, until a family member in need of money sold the Veil to Don Antonio Fabritiis, who in turn gave it to the Capuchins in 1638.  The Holy Veil, called the “Il Volto Santo,” was kept in a dimly lit side chapel until the church was renovated in 1960, when it was decided that the Veil should be moved to a more prominent place behind the altar.

What did the Face on the gossamer-thin Veil look like?  Here are portions of a description that Capuchin Donato da Bomba gave of the Holy Face: “He has a rather long, well-proportioned face, with a venerable and majestic look. His hair, or locks are long with thin twisted curls–in particular at the top of the forehead about fifty hairs wind into a little corkscrew, distinct from each other and well arranged. His left cheek is swollen and bigger than the other because of a strong blow across the cheek.  The lips are very swollen.  His teeth show.  It seems the Holy Face is made of living flesh, but flesh that is afflicted, emaciated, sad, sorrowful, pale and covered in bruises around the eyes and on the forehead. The eyes of Christ are similar to those of a dove…He is serene and tranquil.” 

Holy Face "Il Volto Santo" of Manoppello
Holy Face “Il Volto Santo” of Manoppello, Photo by the late Paul Badde

“Those who gaze on it are never satisfied with contemplating it, and wish to  always have it before their eyes.  And when they eventually leave it, with heavy sighs full of love, they are forced to leave Him their hearts, bathed in tears.” –Capuchin Donato da Bomba 1646

On September 1, 2006, another pilgrim (some also may say an “angelic pilgrim”) came to Manoppello to see for himself the Holy Face of Jesus on the Veil–Pope Benedict XVI, who has elevated the status of the Shrine to a Sanctuary Basilica. “Your Face O Lord I seek–seeking the Face of Jesus must be the longing of all Christians, indeed, we are ‘the generation’ which seeks His Face in our day, the Face of the ‘God of Jacob.’  If we persevere in our quest for the Face of the Lord, at the end of our earthly pilgrimage, He, Jesus, will be our eternal joy, our reward and glory forever.”–Pope Benedict XVI, September 1, 2006

"Come and see"--Pope Benedict XVI
 “Come and you will see”(Jn 1:39) Pope Benedict XVI and the Holy Face of Manoppello

Mille Grazie! to Alexandra Prandell, of Manoppello, who has graciously shared her photos of the May festival in honor of the historic arrival of the Holy Face in Manoppello — enjoy!

Roses lovingly dropped from balconies upon the relic veil of the Holy Face “Il Volto Santo” as it is processed through the streets. May 2026, (Photo: Alexandra Prandell)
May 2026 “Il Volto Santo” relic procession. (Photo: Alexandra Prandell)
Precious little Angels join in the procession, May 2026. (Photo: Alexandra Prandell)
Face barely seen through the delicate fibers of the Holy Veil of Manoppello, May 2026 (Photo: Alexandra Prandell)
Procession with the relic of the Holy Face through the town. (Photo: Alexandra Prandell)
May Procession 2026, Holy Veil of Manoppello, Italy
May 2026 Procession in beautiful Manoppello, Italy. (Photo: Alexandra Prandell)
The Holy Face Veil of Manoppello is an Achieropoieta; “made without human hands,” but by the Hand of God. (Photo: Alexandra Prandell)

May 2026 Procession in Manoppello, Italy (Photo: Alexandra Prandell)
May 2026 Procession in Manoppello, Italy with the relic Veil of the Holy Face. (Photo: Alexandra Prandell)
May 2026 Procession in Manoppello, Italy (Photo: Alexandra Prandell)
The ever-changing Holy Veil of Manoppello! (Photo: Alexandra Prandell)
Padre Antonio Gentili gazes at “Il Volto Santo”–the True Image. May we too, be transformed into His likeness. (Photo: Alexandra Prandell)
“Il Volto Santo” Procession. (Photo: Alexandra Prandell)
“Il Volto Santo” Procession, Mary 2026. Both locals and pilgrims from all over the world came to honor His Holy Face. (Photo: Alexandra Prandell)
“Lord, God of Hosts, restore us; let your Face shine upon us, that we shall be saved!” (Psalm 80) (Photo: Alexandra Prandell)
May the gentle, merciful, peaceful and loving gaze of Our Lord bless you always. (Photo: Alexandra Prandell)
With grateful thanks for all God’s blessings, especially His great gift of the Holy Face Veil of Manoppello! (Photo: Alexandra Prandell)

Act of Consecration to the Holy Face

O Lord Jesus, we believe most firmly in You, we love You.  You are the Eternal Son of God and the Son Incarnate of the Blessed Virgin Mary.  You are the Lord and Absolute Ruler of all creation.  We acknowledge You, therefore, as the Universal Sovereign of all creatures.  You are the Lord and Supreme Ruler of all mankind, and we, in acknowledging this Your dominion, consecrate ourselves to You now and forever.  Loving Jesus, we place our family under the protection of Your Holy Face, and of Your Virgin Mother Mary most sorrowful.  We promise to be faithful to You for the rest of our lives and to observe with fidelity Your Holy Commandments.  We will never deny before men, You and Your Divine rights over us and all mankind.  Grant us the grace to never sin again; nevertheless, should we fail, O Divine Saviour, have mercy on us and restore us to Your grace.  Radiate Your Divine Countenance upon us and bless us now and forever.  Embrace us at the hour of our death in Your Kingdom for all eternity, through the intercession of Your Blessed Mother, of all Your Saints who behold You in Heaven, and the just who glorify You on earth.  O Jesus, be mindful of us forever and never forsake us; protect our family.  O Mother of Sorrows, by the eternal glory which you enjoy in Heaven, through the merits of your bitter anguish in the Sacred Passion of your Beloved Son, our Lord Jesus Christ, obtain for us the grace that the Precious Blood shed by Jesus for the redemption of our souls, be not shed for us in vain.  We love you, O Mary.  Embrace us and bless us, O Mother.  Protect us in life and in death.  Amen. 

Glory to the Father, and to the Son, and to the Holy Spirit.  As it was in the beginning, is now, and will be forever.  Amen.

Pentecost in Mannopello

Rose petals like "tongues of fire of the Holy Spirit" tossed before the Holy Face on Pentecost. photo: Paul Badde
Rose petals like “tongues of fire of the Holy Spirit” tossed before the Holy Face on Pentecost. photo: Paul Badde

Beautiful photo of "Il Volto Santo" Pentecost 2016, photo by Paul Badde
Beautiful photo of “Il Volto Santo” Pentecost 2016, by Paul Badde

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Sheer Veil of the Holy Face of Manoppello disappears in the light Photo: Paul Badde

Journalist Paul Badde has generously shared these beautiful photos of “Il Volto Santo” the Holy Face of Manoppello, Italy, taken on the 15th of May for the great Feast of Pentecost.  The photo images of the miraculous veil capture so well the changeability and infinite beauty, mercy and peace found by gazing on the Holy Face.   The gossamer-thin byssus veil is not painted but seems to be “written by the Holy Spirit” as an icon in light, which according to the light, may be clearly seen with blood and wounds, or as fresh and healed, or disappear.  As Pope Emeritus Benedict XVI has said, “Faith is seeing and hearing.” May those who contemplate His Holy Face, like St. Peter and St. John in the tomb on Easter, “see and believe,” and as we gaze upon His Face may we be attentive as well to hear the voice of the Holy Spirit in our hearts, who will lead us through Jesus to the Merciful Face of the Father.

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Veil of the Holy Face of Manoppello, Pentecost 2016 photo: Paul Badde

Veil of Manoppello, May 15, 2016 photo: Paul Badde
Veil of Manoppello in procession, Pentecost 2016 photo: Paul Badde

"Little Angels" is Holy Face Procession Photo: Paul Badde
“Little Angels” in Holy Face Procession Photo: Paul Badde

Holy Face of Manoppello changes according to light. Pentecost 2016 photo: Paul Badde
Holy Face of Manoppello changes according to light. Pentecost 2016 photo: Paul Badde

May the Lord bless and keep you; May He make His Face shine upon you and be merciful to you; May He turn His Countenance toward you and grant you His Peace!" (Num. 6: 22-27) Photo: Paul Badde Pentecost 2016
May the Lord bless and keep you; May He make His Face shine upon you and be merciful to you; May He turn His Countenance toward you and grant you His Peace!” (Num. 6: 22-27)
Photo: Paul Badde Pentecost 2016

 

A “Must Read” on the Holy Face: There is an excellent post “More than an Abstraction,” the text from a conference given by Fr. Daren Zehnle.  It is a very clear, well-documented and informative history of “The Veronica,” and the miraculous “Veil of Manoppello” in the context of the Jubilee Year of Mercy.
It can be read on his “Servant and Steward”blog. (click here)

St. Padre Pio’s visit to the Holy Face

St. Padre Pio
St. Padre Pio

“I never cease to implore blessings for you from Jesus, and to beg the Lord to transform you totally in Him.  How beautiful His Face, how sweet His eyes and what a good thing it is to stay close to Him…”–St. Padre Pio O.F.M.Cap

St. Padre Pio, a Friar Minor Capuchin priest and mystic, was well-known for his many spiritual gifts such as the stigmata, bi-location, and for his ability to read the hearts of penitents who came to him in confession.  During his life St. Padre Pio suffered as Our Lord did, not only through physical pain, but by humiliations, calumny, slander and mistrust that deeply wounded his heart, in this he shared in the suffering of the Face of Christ.

He wrote in his meditations on The Agony of Jesus of the Face of Jesus, the “Innocent Lamb,” “His Face covered with sadness and at the same time with love:”

“He [Jesus] seems to be at the extremity of suffering… He is prostrate with His Face to the ground before the majesty of His Father.  The Sacred Face of Him Who enjoys through the hypostatic union the beatific vision of the Divine Glory accorded to both Angels and Saints in Heaven, lies disfigured on the ground.  My God!  My Jesus!  Art Thou not the God of Heaven and earth, equal in all things to Thy Father, Who humiliates Thee to the point of losing even the semblance of man?   …It is to repair and expiate for my haughtiness, that Thou bowest down thus before Thy Father.”

Servant of God, Padre Domenico da Cese, friend and fellow Capuchin of St. Padre Pio
Servant of God, Padre Domenico da Cese, fellow Capuchin and friend of St. Padre Pio

It is no wonder then, in the extremity of his own suffering, St. Padre Pio’s last case of bi-location was before the relic of the Holy Face of Jesus at the shrine of “Il Volto Santo” in Manoppello, Italy, 200 km north of San Giovanni Rotundo, where Padre Pio lay dying.  His friend and fellow Friar Minor Capuchin, the Servant of God, Padre Domenico da Cese, was at that time the rector of the shrine.  Padre Domenico gave testimony that at the dawn of the last day of St. Padre Pio’s earthly life, he unlocked the doors of the shrine of the Holy Face and was astounded to find Padre Pio in prayer, in the choir behind the altar before the Sacred Image of the Face of Jesus.  St. Padre Pio spoke then to Padre Domenico saying, “I do not trust myself any more.  I am coming to an end.  Pray for me.  Good bye until we meet in Paradise.”  24 hours later St. Padre Pio died in his cell in San Giovanni.

Way of the Cross, 6th Station Our Lady of Grace Capuchin Friary, San Giovanni "Veronica Wipes the Face of Jesus"
Way of the Cross, 6th Station, Our Lady of Grace Capuchin Friary, San Giovanni “Veronica Wipes the Face of Jesus”

“If I know that someone is afflicted in body or in soul, what will I not do in the presence of the Lord to see him freed from these evils?  I should willingly take upon myself all his sufferings, if I could only free him from them.  I should surrender in his favor the fruits of these sufferings, if the Lord were to permit it.” — St. Padre Pio

Below are photos of the miraculous image “Il Volto Santo” that Padre Pio prayed before in his own agony.  This “living image” is very difficult to capture in a photograph because it is a changing image, one face, an infinite number of expressions but always a Face of Mercy and Peace.

"Il Volto Santo" The Holy Face of Manoppello. Photo by Paul Badde
“Il Volto Santo” The Holy Face of Manoppello. Photos by Paul Badde

Holy Face of Manoppello Photo by Paul Badde

Image of Manoppello Photo by Paul Badde

DSC09818Jesus makes Himself our mirror – “He who never meditates is like a person who never looks in the mirror, therefore, not knowing that he is untidy, he goes out looking disorderly.  The person who meditates and directs his thoughts to God, Who is the mirror of his soul, tries to know his faults, attempts to correct them, moderates his impulses, and puts his conscience in order.” — St. Padre Pio

Like St. Padre Pio let us “look into the mirror” and contemplate always the Face of Christ!

 

 

 

 

Feb. 13, Day 6 – Holy Face Novena

Alpha-Omega Holy Face of Jesus Novena Prayers and Consecration

Daily Preparatory Prayer

"Il Volto Santo" Holy Face of Manoppello, Italy
“Il Volto Santo” Holy Face of Manoppello, Italy

O Most Holy and Blessed Trinity, through the intercession of Holy Mary, whose soul was pierced through by a sword of sorrow at the sight of the passion of her Divine Son, we ask your help in making a perfect Novena of reparation with Jesus, united with His sorrows, love and total abandonment.

We now implore all the Angels and Saints to intercede for us as we pray this Holy Novena to the Most Holy Face of Jesus and for the glory of the most Holy Trinity, Father, Son and Holy Spirit.  Amen.

Sixth Day

Psalm 51: 12-13

A pure heart create for me, O God, put a steadfast spirit within me. Do not cast me away from your presence not deprive me of your Holy Spirit.

Mary, Spouse of the Holy Spirit
Mary, Spouse of the Holy Spirit

May our hearts be cleansed, O Lord, by the in-pouring of the Holy Spirit, and may He render them fruitful by watering them with His heavenly dew.  Mary, the most chaste spouse of the Holy Spirit, intercede for us, St. Joseph, pray for us.

 

Through the merits of your precious blood and your Holy Face, O Jesus, grant us our petition, …Pardon and mercy.

 

Prayer to Saint Michael the Archangel *

"Who is like God?" -- St. Michael the Archangel
“Who is like God?” —
St. Michael the Archangel

O Victorious Prince, most humble guardian of the Church of God and of faithful souls, who with such charity and zeal took part in so many conflicts and gained such great victories over the enemy, for the conservation and protection of the honor and glory we all owe to God, as well as for the promotion of our salvation; come, we pray Thee, to our assistance, for we are continually besieged with such great perils by our enemies, the flesh, the world and the devil; and as Thou wast a leader for the people of God through the desert, so also be our faithful leader, and companion through the desert of this world, until Thou conduct us safely into the happy land of the living, in that blessed fatherland from which we are all exiles.  Amen.  (St. Aloysius)

Pray one (1) Our Father, three (3) Hail Mary’s, one (1) Glory Be.

O Bleeding Face, O Face Divine, be every adoration Thine. (3 times)

 

*[St. Michael, whose battle-cry is “Who is like God?” is the Patron of the Arch-Confraternity of The Holy Face, which was canonically erected in the Chapel of the Discalced Carmelite nuns of New Orleans by Archbishop Perche in 1883, the first in The United States. From that humble oratory, devotion to The Holy Face spread throughout the Americas.  Recently, Old St. Patrick’s Catholic Church in New Orleans has commissioned an exceptional statue of St. Michael bearing a shield with the Face of Jesus “Il Volto Santo” of Manoppello.

Volto Santo of sculptor Cody Swanson
(full statue not shown) Shield bearing Volto Santo by sculptor Cody Swanson, study for St. Michael Statue.

Sculptor Cody Swanson
Sculptor Cody Swanson

Cody Swanson, is the artist of the awe-inspiring sculpture. Thanks to Mr. Paul Badde I’ve been fortunate enough to see photos of the  color-study of the work.  I have never seen a more powerful expression of St. Michael’s key question, “Who is like God?” Mr. Swanson, is an American Catholic convert and father of five, who has been described as “a young Michaelangelo.” Hmmm… Is that The Holy Spirit over his shoulder, or just a reflection on the glass? Either way, he certainly has been inspired!]

More than meets the eye… Painting the Face of Jesus

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Gossamer-thin veil of Manoppello Photo: Paul Badde

Ever since I first laid eyes on the Holy Face of Manoppello, Italy, I have wanted to paint it.  Surely every artist who has looked upon the image has felt the same desire. The “Il Volto Santo” seems to be the prototype of ancient images of the Face of Christ in the Eastern and Western Church as there is abundant evidence in museums and churches. There were more than a few obstacles to fulfill this desire of my heart to paint His Face.  For one thing, I didn’t attempt to take a photograph when I saw the “Il Volto Santo” as I had come to pray as a pilgrim to the Basilica in Manoppello, and made up my mind to get a picture or holy card at the Sanctuary’s small gift shop. Also, I had seen numerous photographs–all different, some strange, flat or distorted, the color itself varying greatly from one picture to another.  Some photos are very dark and the image appears covered with wounds, as one would see Christ in His Passion. Others bright, beautiful and fresh, with wounds healed as it must have appeared at the moment of The Resurrection.

The changeability of the image itself posed a great challenge.  When standing by myself before “Il Volto Santo,” I saw the face with wounds, from a crown of thorns, bruises, blood, torn beard and red inflamed skin.  But, upon kneeling … words cannot express what is felt, a living face of a man, wounds very faint and the eyes…!  The eyes filled with mercy and peace more deep and still than if Jesus had stilled the waters of the ocean to it’s depths…  Again, nothing could compare to what my eyes beheld.  In addition, seeing was one thing and experiencing another.  I knew that trying to use paint to convey that experience of God’s Mercy and Peace would fall infinitely short of the goal. Still, the desire to paint His Face remained.

More than two years passed before I even began.  As I said, no photo I’ve seen would do, but finally I decided to look at several and use the elements that, for me, came close to my memory of the veil.  Even though I cannot paint icons in the traditional sense, I do paint them in my own fashion, not having formal art education. Being a wife and raising six children has been my primary vocation in life, and I’ve fit my painting in between the many things that fill a mother’s day.  So, when I got fed up with my own excuses not to begin to paint the Face of Jesus, I prepared an icon board, selected a few pictures and began to draw.

Artists look at things a little differently, I think.  I had planned on making a simple outline of the main features of the face from a relatively clear photo of the Veil of Manoppello that I came across, but my plan took a different turn.  Come to think of it, that is often how the Holy Spirit works.  Icons are said to be “written” by the hand of the artist through the Holy Spirit. I drew the lines, and as other faint lines and shadows appeared to my eyes, I drew them as well with the same value or darkness as the most obvious lines.

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My drawing on gold-leaf on board.

The results left me astonished.  What isn’t readily apparent manifested itself in such a beautiful way.  Faint marks on the forehead, for example, appeared as marks from thorns.  Faint short lines on the face which turned this way and that were obviously the hair from a torn beard.  Looking very closely and drawing each curved line became soft waves of hair.  All were there, but faintly.  The drawing just made the facts more noticeable.  The concentration of the lines above the brow and below the nose accentuated the space surrounding the eyes as though a blindfold had protected them from some of the blows inflicted on the rest of the face.

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Painting by Fra Angelico showing Jesus blindfolded.

 

 I began the painting in silent prayer.  Although sacred music can elevate the mind and heart, I greatly prefer the “language of heaven” which is silence. My family would attest to the fact that when I paint, I tune out all noise anyway.  The house could come down around my ears and I probably wouldn’t look up.  St. Teresa of Avila spoke of ignoring “the mad-woman running around the house” referring to distractions while she was trying to pray.  We probably all have our own “mad-woman” who tries to distract us with many cares, anxieties and trivialities as we try to turn our attention to God.  Painting is a wonderful way to shut the door on the crazy lady and focus solely on listening to God.

It is true that God’s Face can be found in the Scriptures and in our neighbor, but I seek Him most often in images of Jesus and in particular, I love the image of “Il Volto Santo,” in Italy.  It is for me an icon which encapsulates the whole of Divine Revelation in one Face.   As I select colors and brush and begin my work, I gaze at Him, the words of Scripture are ever present in my mind, beginning with the longing of all mankind, “Your Face, O Lord, I seek. Hide not your Face from me.” (Psalm 27) “There was in him no stately bearing to make us look at him, nor appearance that would attract us to him.” “…a man of suffering, accustomed to infirmity”(Isaiah 53:2 – 3), “For God so loved the world that He gave it His only begotten Son.” (John 3:16) “The word became flesh, and dwelt among us.” (John 1:14)  With sorrow, I look at the terrible wounds on the face of Christ, and the words of St. Pope John Paul II echo in my heart, “We cannot stop at the image of The Crucified One.  He is the Risen One!” and St. Paul’s words, “All of us, with unveiled faces, seeing seeing the glory of the Lord as though reflected in a mirror, are being transformed into the same image.” (2 Cor 3:18) and more and more… There are no end to the depths of the treasures in His Face.

How could I hope a painting could ever match the beauties that are found in His Face?  It can never be possible unless He painted it Himself, so I ask Him to paint His image in my heart.  I knew at the outset I would be unsatisfied with the result of my painting, because  only seeing Him face to face in eternity could satisfy that infinite desire.   Still, I can look at the work of my hands, pray, and remember that there is always “more than meets the eye.”

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Icon of “Il Volto Santo” by Patricia Enk

The words on the icon are: Illumina, Domine, Vultum Tuum Super Nos. or “Shine the light of Your Face on us, O Lord.”

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Closeup of “Il Volto Santo” painting by Patricia Enk

May His Face shine upon you always!

“Faith is the realization of what is hoped for and evidence of things not seen.” –Hebrews 11:1