“Write this: before I come as the Just Judge, I am coming first as the King of Mercy.” –Our Lord to St. Faustina
“Jesus Christ is the face of the Father’s mercy. These words might well sum up the mystery of the Christian faith…Whoever sees Jesus sees the Father (cf. Jn 14:9). Jesus of Nazareth, by his words, his actions, and his entire person reveals the mercy of God.” (Misericordiae Vultus)
Divine Mercy in the waters of Baptism
St. Thomas Aquinas wrote in his Summa Theologiae that “It is proper to God to exercise mercy, and he manifests his omnipotence particularly in that way.” The greatness of God’s mercy reveals the great love of a Father for His only begotten Son, Jesus–and in Jesus–His great love for His children through the waters of Baptism. So then, throughout our lives as Christians, “with our eyes fixed on Jesus and his merciful gaze, we experience the love of the Most Holy Trinity.” (Misericordiae Vultus)
St. Faustina “Apostle of Mercy”
St. Faustina Kowalska, “the Apostle of Mercy” was known as a mystic and visionary. Her diary Divine Mercy in my Soul is a record of the journey of her soul, written under obedience to her spiritual director. Our Lord granted to St. Faustina a deep understanding of the love and mercy of God which she was to share with the world. Jesus emphasized to St. Faustina the need of putting mercy into action, Jesus told her: “I demand from you deeds of mercy which are to arise out of love for me. You are to show mercy to your neighbors always and everywhere. You must not shrink from this or try to excuse yourself from it.” These words of Jesus are meant for each of us as well and are to be carried out by practicing the “Corporal and Spiritual Works of Mercy.” We are called to be merciful to each other and seek the face of Christ in our neighbor. (Click here to answer “What are the Corporal and Spiritual Works of Mercy?)
Pope St. John Paul II (CNS Photo)
“At no time…especially at a moment as critical as our own–can the Church forget the prayer that is a cry for the mercy of God. The Church has the right and duty to appeal to the God of mercy ‘with loud cries.'” (Pope St. John Paul II, Rich in Mercy, 15) “No one can escape from the fundamental questions: What must I do? How do I distinguish good from evil? The answer is only possible thanks to the splendor of the truth which shines forth deep within the human spirit, as the Psalmist bears witness: “There are many who say: “O that we might see some good! Let the light of your face shine upon us, O Lord'” (Psalm 4:6).
“The light of God’s face shines in all its beauty on the countenance of Jesus Christ, ‘the image of the invisible God’ (For 1:15), the reflection of God’s glory’ (Heb 1:13), ‘full of grace and truth’ (Jn 1:14). Christ is ‘the way, and the truth, and the life’ (Jn 12:6).'” Consequently the decisive answer to man’s questions in particular; is given by Jesus Christ himself, as the Second Vatican Council recalls: “In fact, it is only in the mystery of the Word Incarnate that light is shed on the mystery of man. For Adam, the first man, was a figure of the future man, namely, of Christ the Lord. It is Christ, the last Adam, who fully discloses man to himself and unfolds his noble calling by revealing the mystery of the Father and the Father’s love.” (Pope St. John Paul II, Veritatis Splendor 1993)
Mary adored Jesus beneath the Eucharistic Veil of the appearance of bread. The Virgin of the Host, by Jean-Auguste-Dominique Ingres
The devotion to the Holy Face has been characterized by Pope Benedict XVI as Discipleship — encountering Jesus in the Face of those in need; The Passion of Jesus, and suffering expressed by images of the Face of Jesus; and in the Eucharist, “the great school in which we learn to see the Face of God, which is woven between the other two. [elements of devotion] “Our whole life should be directed toward encountering Him; toward loving Him.” (Pope Benedict XVI)
In His infinite mercy, Jesus, descends to us in His Most Holy Sacrament of Love. St. Faustina wrote in her diary, “The mercy of God, hidden in the Blessed Sacrament, the voice of the Lord who speaks to us from the throne of mercy [says]: ‘Be not afraid of your Savior; O sinful soul. I make the first move to come to you, for I know that by yourself you are unable to give yourself to me. Child do not run away from your Father; be willing to talk openly with your God of Mercy who wants to speak words of pardon and lavish graces on you. How dear your soul is to me! I have inscribed your name upon my hand; you are engraved as a deep wound on my heart.” (Divine Mercy in My Soul, (1485)
We each have a precious opportunity that God has given us at this particular time in history to be instruments of His mercy, and to plead “with loud cries” for God’s “mercy on us and on the whole world.”
“This Mercy of God which has a concrete face, [is] the Face of Jesus, the risen Christ.” –Pope Francis
“Mercy has become living and visible in Jesus of Nazareth, reaching it’s culmination in Him…We need to constantly contemplate the mystery of mercy. It is a wellspring of joy, serenity, and peace. Our salvation depends on it…The mission Jesus received from the Father was that of revealing the mystery of Divine Love in its fullness. ‘God is love’ (1 Jn 4:8,16).'” (Misericordiae Vultus)
“Jesus is the face of the mercy of God the Father: ‘God so loved the world […] [that] the world might be saved through him [the Son]” (John 3:16, 17)
“The contemplation of Christ’s Face cannot stop at the image of the Crucified One. He is the Risen One!”~St. Pope John Paul II (Photo of the Holy Face of Manopello, Italy: Patricia Enk)
“Show us, O Lord, we pray you,, Your Face ever new; that mirror, mystery-laden, of God’s infinite mercy. Grant that we may contemplate it with the eyes of our mind and our hearts: the Son’s face, radiance of the Father’s glory and the imprint of His Nature (cf. Hb 1:3), the human Face of God that has burst into history to reveal the horizon’s of eternity. The silent Face of Jesus, suffering and risen, when loved and accepted changes our hearts and lives. ‘Your Face, Lord do I seek, do not hide Your Face from me. ‘ (Psalm 27, 8ff)” (Excerpt from the Prayer of Pope Benedict commemorating his pilgrimage to the Holy Face of Manoppello, Sanctuary in Manoppello, Italy. “That mirror mystery-laden of God’s infinite mercy!”2006)
“The glory of Jesus’ resurrection; bright angels attesting, The shroud and napkin resting. Yes, Christ my hope is arisen; to Galilee he goes before you.” Christ indeed from death is risen, our new life obtaining. Have mercy, victor King, ever reigning! Amen. Alleluia.”
There were several burial cloths of Christ that were found in the tomb; and among them: the Shroud of Turin, the Cloth of Oviedo, and the precious byssus veil that was believed to cover the Face of Christ in the tomb – known as “Il Volto Santo” – The Holy Face of Manoppello. Possibly the very reason that St. John “Saw and believed.”
The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection, Eugene Burnand, 1898
So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. For they did not yet understand the Scripture that he had to rise from the dead. (John 20: 1-9)
At the time of Jesus, the Jewish law required several “cloths” to be used for burial, and as many as six for someone who had died a violent death. Christian tradition has preserved six cloths as relics that are associated with the burial of Jesus – 1.) The Shroud of Turin, Italy 2.) the Sudarium of Oviedo in Spain, 3.) The Sudarium Veil of Manoppello, Italy 4.) The Sudarium of Kornelimunster in Germany, 5.) The Sindon Munda of Aachen, Germany, 6.) The Cap of Cahors in France.
Three of the cloths in particular stand out as extraordinary “witnesses” to the Passion, Death, and Resurrection of Jesus, and together they bear a powerful testimony to the truth of the Gospels. Each one bearing an imprint or image of the Face of Jesus. They are: The Sudarium of Oviedo, The Shroud of Turin, and the Sudarium Veil of Manoppello. The remarkable relationship between these three “cloths” leave little doubt that each came in contact with the face of the same man at the time of burial.
The Sudarium of Oviedo directly touched Jesus’s head following His Crucifixion. Blood was considered sacred to the Jews, so this cloth was used to soak up the Precious Blood of Jesus, by wrapping it around Jesus’s Head, as He was taken down from the Cross. The largest bloodstains are from the nose, other stains are from the eyes and other parts of the face. There is also an imprint on the sudarium of the hand of the person who held this cloth to Jesus’s Face to staunch the flow of blood. It takes one’s breath away to see that the bloodstains on the Sudarium of Oviedo, when overlaid with the Face on the Shroud of Turin and the Sudarium Veil of Manoppello, correspond perfectly. The blood type is AB, the same as on the Shroud of Turin.
“He went into the tomb and saw the burial cloths there.“
The Shroud of Turin; the sindone, or linen burial shroud, was believed to have been used to wrap the entire body of Christ. It is the most famous and studied of the three cloths. The faint but visible imprint on the Shroud of Turin gives witness to the violent torture of a man as described in the Passion and Death of Jesus in the Scripture. The world was amazed when Secondo Pia first photographed the Face on the Shroud in 1898; the negative of the photo incredibly became visible as a positive image. The Shroud of Turin caused an entire branch of science to be dedicated to its research called Sindonology.
Photo: Holy Face Veil of Manoppello, Italy (Paul Badde/EWTN)
‘…and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place.‘
Reliquary containing the transparent veil on which the image of the Holy Face becomes visible, according to the light and position of the viewer. Photo: Paul Badde
The Sudarium Veil of the Holy Face of Manoppello, Italy is perhaps the least known of the three burial “cloths.” The Veil bears the image of the living Face of Jesus. This “miracle of light,” “not made by human hands,” was protected and hidden in an isolated church in the Abbruzzi Mountains for centuries. It is believed to be the “cloth” that covered the Face of Jesus in death, showing traces of the Passion: Bruises, swelling, wounds from the Crown of Thorns, and plucked beard. But, it is also believed to have recorded in light the Face of Jesus at the moment of His Resurrection. No, this is not a contradiction. Yes, the image changes. It shows suffering, but it also shows life! It is believed to be “The cloth that covered His head.”
“Il Volto Santo” The Holy Face Veil of Manoppello. Photo: Patricia Enk
An explanation about the tradition of a face cloth for burial may be helpful in understanding its profound significance: In the funeral rites for priests in some Eastern churches, the veil which was used to cover the chalice and paten were placed on the face of the deceased priest. (The cloth used to cover the chalice and paten had a particular liturgical symbolism linked to the Face of Christ as well.) It was done as a symbol of both the strength and protection of God, and also of the tomb of Christ–an expression of belief in the Resurrection. In Jewish burial custom, a deceased priest’s face would be anointed with oil and then covered with a white cloth, and would have been done for Jesus.
Funeral of Pope St. John Paul II, Archbishop Dziwisz covers the pope’s face with a veil.
When Pope St. John Paul II was being laid in his coffin, Archbishops Marini and Stanley Dziwisz had the honor of placing a white silk veil over the face of the pope. Poignantly, the choir sang the words from Psalm 42, “My soul thirsts for God, the living God; when will I come and see the Face of the Lord?” Many wondered about the action of covering the pope’s face with a veil because this was the first time it had been done, but was at the request of Pope John Paul II, who had dedicated the millennium to the Face of Christ.
Byssus “Pinna Nobilis” fit for a King! Photo: Paul Badde/EWTN
The cloth that would cover the Face of Christ would have to be made of a material fit for a King, a High Priest, and a God. Byssus, mentioned in the Bible forty times, also known as “sea-silk,” is more rare and precious than gold and it has an exceedingly fine texture which can be woven. Made from the long tough silky filaments of Pinna Nobilis mollusks that anchor them to the seabed, it is strong enough to resist the extreme hydrodynamic forces of the sea. Byssus has a shimmering, iridescent quality which reflects light. It is extremely delicate, yet strong at the same time. It resists water, weak acids, bases, ethers, and alcohols. Byssus cannot be painted, as it does not retain pigments, it can only be dyed; and then, only purple. It can also last for more than 2000 years.
Kurt Cardinal Koch contemplates the Veil “not made by human hands” of Manoppello. Sheer and delicate, yet the Face is visible. Photo: Paul Badde/EWTN
The Sudarium Veil of Manoppello is also made of rare, precious, byssus silk. The skill needed to weave a byssus veil as fine as the Veil of the Holy Face of Manoppello is exceedingly great. Chiara Vigo, known as “the last woman who weaves byssus,” has said that neither she nor anyone alive today could duplicate the gossamer-thin veil, which is sheer enough to read a newspaper through. The weave is so delicate, she says, that only the nimble fingers of a very skillful child could weave something so fine.
Photo: Paul Badde
It is only through light that this shimmering image of the Face of Jesus may be seen, and at times appears as a “living image” as though it were reflected in a mirror, at other times the image completely disappears. Although no camera can adequately capture the image, thanks to the many amazing photos of journalist Paul Badde, the changes that occur when viewing the veil may be better appreciated. (Click here for more photos, and information about Paul Badde’s books and videos about the Holy Face.)
While the Face on the Shroud of Turin clearly shows the Face of Jesus in death with eyes closed, the Sudariam of Manoppello has eyes open–bearing witness to the Resurrection. That was the ardent belief of the former Rector of the Basilica Shrine of the Holy Face, Servant of God Padre Domenico da Cese.
Sevant of of God Padre Doemnico da Cese, former Rector of the Shrine of “Il Volto Santo.”
L to R: Pope Benedict XVI came as a pilgrim to Manoppello on September 1, 2006, Fr. Heinrich Pfeiffer, S.J., Paul Badde, and Sr. Blandina Schlomer
There are many physiological reasons too for believing that the Face Cloth captures the first breath of the Resurrection. Sr. Blandina Paschalis Schlomer, who shares that belief, has provided meticulous research about the Veil in her book JESUS CHRIST, The Lamb and the Beautiful Shepherd, The Encounter with the Veil of Manoppello. Sr. Blandina together with Paul Badde, and Fr. Fr. Heinrich Pfeiffer, S.J., Professor at the Pontifical Gregorian University in Rome, have each demonstrated that the Holy Face on the Veil of Manoppello is the proto-image of the earliest icons, and other works of art depicting the Face of Jesus.
“…and he saw and believed. For they did not yet understand the Scripture that He had to rise from the dead.”
What did St. John see in the tomb that would cause him to believe? A cloth of blood, such as the Oviedo? The Shroud of Turin? The Shroud bears a miraculous image, but it shows the Face of a dead man. A third witness was needed in order for the disciple to believe. It could only have been evidence of something as astounding as the Resurrection; proof that Jesus was alive!
Holy Veil of Manoppello. Photo: Paul Badde/EWTN
It is human nature to want to see things for ourselves. Many pilgrims, humble and great, have felt called to make the journey to visit the miraculous relic. If it is God’s handiwork, and I believe that is true, then one can only wonder at its existence, and gaze in silent contemplation, giving thanks for this tremendous gift of God… so we too may “see and believe.”
As the first rays of light entered the tomb, John and Peter, upon entering, “saw and believed.” Sudarium Veil of Manoppello, Photo: Paul Badde/EWTN
Pope Benedict XVI contemplates the ‘Veronica’s Veil’ during a visit to the Shrine of the Holy Face in Manoppello, central Italy, September 1, 2006.
“While we too seek other signs, other wonders, we do not realize that He is the real sign, God made flesh; He is the greatest miracle of the universe: all the love of God hidden in a human heart, in a human face.”
~ Pope Benedict XVI
Holy Face of Jesus of Manoppello (photo: Paul Badde/EWTN)
“We cannot stop at the image of the Crucified One; He is the Risen One!”
~ Pope St. John Paul II
Pope Leo XIV called the peace of the Risen Christ “The most silent revolution:” (read more here)
Vera Icon, painted from the Holy Veil in the Vatican, which served as a model, by Meister von Sankt Lorenz, around 1415, nearly 100 years before the “Veronica” or “True Image/or Vera Icon” was said to have been stolen during the Sack of Rome. in 1527. (Photo: Paul Badde)
St. Veronica with the Sudarium C. 1480-1500
Was there actually a St. Veronica? It is an important question, and a very personal one to me and many others. According to tradition, “Veronica,” is the compassionate woman who wiped the Face of Jesus, who is commonly depicted in every Catholic church, at the Sixth Station of the Cross, yet her name does not appear in the Gospels, and the legends did not appear until the Middle Ages.
Pope St. John Paul II pondered this very question many years before dedicating the Millennium to the Holy Face of Jesus. The fruit of his prayerful contemplation unveils a profound truth for every Christian as he answers another question; What does it mean to be “a Veronica?”
The Sixth Station on the Via Dolorosa in Jerusalem
Veronica’s Veil, Flemish 15th Century–painted with the characteristic folds that are also found only on the Holy Veil of Manoppello.
“St. Veronica”
The Catholic Church tells us that a veil bearing a miraculous image of the Face of Jesus has existed since the earliest centuries, recorded in history and in art, such as the Camulia, or the Mandylion. Explanations for the existence of such a veil were all different (see “Four Stories, One Face“). About the time this miraculous veil first appeared in Rome, the name “Veronica” referred to the veil itself, and not a person–“Veronica” meaning “vera” or true, and “icon” meaning image, or even more precisely, “to be present.” Those who gazed upon the veil bearing the true Face of Jesus stood in God’s presence. They were turned toward His Face. The Veil became the greatest relic that Pilgrims traveled to see in the Vatican.
King of Edessa receiving the miraculous veil from St. Jude, and was healed of leprosy.
“Veronica” holding a sheer veil bearing the living Face of Christ on a sheer veil with distinctive folds.
Legends sprang up much later, in the Middle Ages, about a woman named “Veronica,” who was sometimes associated with the woman “Berenice” or “Bernice,” the bleeding woman who touches the hem of Jesus’s garment in the Gospel. There is a version, written in 1191 by Robert de Boron, that tells of a woman named “Veronica” wiping sweat from the Face of Jesus. The stories are many and varied, but the legend that most people are familiar with today is traced to a version by Roger d’Argenteuil in the 1300s, which tells of a woman “Veronica,” associated with the sixth station of the Cross–the compassionate woman, wiping the Face of Jesus on the way to Calvary with a cloth, upon which He leaves an image of His Face.
“These pious traditions cannot be documented, but there is no reason why the belief that such an act of compassion did occur should not find expression in the veneration paid to one called Veronica.” —The Catholic Encyclopedia
What did the Veil look like? A “living, changing, face” on a sheer veil, with distinctive folds, that could be viewed from either side; the eyes are open and glance to one side or the other; a lock of hair graces the center of the forehead; a sparse beard, wavy hair, as well as signs of bruising and trauma to the face are seen…. which despite the obvious suffering, remains peaceful and serene.
The Holy Veil of Manoppello- photo: Paul Badde/EWTN
Pope St. John Paul II expressed the answer to this profound question addressing the origin of the name of Veronica most beautifully in his poem, “The Name:”
The Name
In the crowd walking towards the place
[of the Agony]–
did you open up a gap at some point or were you
[opening it] from the beginning?
Veronica’s Veil by Hans Memling
And since when? You tell me, Veronica.
Your name was born in the very instant
in which your heart
became an effigy: the effigy of truth.
Your name was born from what you gazed upon.
–Karol Wojtyla
Miraculous Holy Face Veil Photo: Paul Badde (see “Manoppello Image” tab)
Since the detailed historical facts about the veil itself cannot be verified with absolute certainty in this life, the more important and answerable question is, “What does it mean to be a Veronica–a “true image?”
“Your name was born from what you gazed upon.”
When a soul performs an “act of compassion,” Jesus leaves His image on the “veil” of the soul. In other words, while contemplating the Face of Jesus in an image, in the Word of God in the Scriptures, in a person made in the image and likeness of God, or above all, in the Eucharist, the soul places itself in the Presence of God. When we are turned completely toward the Face of God, through a daily face-to-face encounter in prayer–by the power of the Holy Spirit–God gradually transforms the soul into the “True Image” of His Son, Jesus Christ. As Pope St. John Paul II says, our hearts must become an “effigy of truth,” a “true icon.” Then our name too will be born from what we gaze upon. It will be “Veronica.”
The Deepest Truth About St. Veronica
St. Veronica statue by Francesco Mochi, 1629
Within the center of St. Peter’s Basilica are four massive niches. In each niche there are four titanic statues of saints, standing 10 meters high: St. Andrew, the first disciple called by Christ, St. Longinus, the soldier who pierced Jesus’s side with his lance, St. Helena, who discovered the True Cross. The fourth statue depicts “St. Veronica,” an unknown woman, not mentioned in the Bible, yet immortalized in every Catholic church at the Sixth Station of the Cross, for her act of compassion to Jesus who left the image of His Face on her veil. (The relic that is now in the Veronica Pilar is quite different in description than what was previously recorded–a mystery yet to be solved. More may be read on the subject here: The Church, Testing of Relics, and the Holy Face)
Pope St. John Paul II wrote this beautiful meditation on St. Veronica in 2000, the same year in which he dedicated the millennium to the Face of Christ:
Sixth Station, St. Theresa Church, Ashburn, Virginia
“Veronica does not appear in the Gospels. Her name is not mentioned, even though the names of other women who accompanied Jesus do appear. It is possible, therefore, that the name refers more to what the woman did. In fact, according to tradition, on the road to Calvary a woman pushed her way through the soldiers escorting Jesus and with a veil wiped the sweat and blood from the Lord’s face. That face remained imprinted on the veil, a faithful reflection, a “true icon”. This would be the reason for the name Veronica. If this is so, the name which evokes the memory of what this woman did carries with it the deepest truth about her.
One day, Jesus drew the criticism of onlookers when he defended a sinful woman who had poured perfumed oil on his feet and dried them with her hair. To those who objected, he replied: “Why do you trouble this woman? For she has done a beautiful thing to me . . . In pouring this ointment on my body she has done it to prepare me for burial” (Mt 26:10, 12). These words could likewise be applied to Veronica. Thus we see the profound eloquence of this event.
The Redeemer of the world presents Veronica with an authentic image of his face. The veil upon which the face of Christ remains imprinted becomes a message for us.
In a certain sense it says: This is how every act of goodness, every gesture of true love toward’s one’s neighbor, strengthens the likeness of the Redeemer of the world in the one who acts that way. Acts of love do not pass away. Every act of goodness, of understanding, of service leaves on people’s hearts an indelible imprint and makes us ever more like the One who “emptied himself, taking the form of a servant” (Phil 2:7). This is what shapes our identity and gives us our true name.” –Pope St. John Paul II
This is the deep meaning and call to every Christian revealed in the presence of the unknown woman we call “St. Veronica”– each act of charity, every act of compassion will leave the imprint of the Face of Jesus in our souls, transforming us into His own Image.
Pope Benedict XVI looks at the ‘Veronica’s Veil’ during a visit to the Holy Veil monastery in Manoppello, central Italy, September 1, 2006.
Pope Benedict wrote, “To rejoice in the splendor of His Face means penetrating the mystery of His Name made known to us in Jesus, understanding something of His interior life and of His will, so that we can live according to His plan for humanity. Jesus lets us know the hidden Face of The Father through His human Face; by the gift of The Holy Spirit poured into our hearts.” This, the Pope says, is the foundation of our Peace, which nothing can take from us.
Benedict XVI has characterized devotion to The Holy Face as having three separate components: 1. Discipleship – an encounter with Jesus, to see Jesus in the Face of those in need. 2. The Passion of Jesus, and suffering expressed by images of the wounded Face of Jesus. 3. The Eucharist, “the great school in which we learn to see The Face of God”, which is woven between the other two. The eschatological element then builds on awakening to Christ by contemplating His Face hidden in The Eucharist.
“Our whole life should be directed toward encountering Him,” writes Benedict, “toward loving Him; and in it, a central place must be given to love of one’s neighbor, that love that in the light of The Crucified One, enables us to recognize the Face of Jesus in the poor, the weak, the suffering.” The pope goes on to explain the fruits of this contemplation: “From contemplation of the Face of God are born, joy, security, PEACE.”
“The most illustrious thing the Church has is that which she hides most.” ~Bossuet
Detail, St. Joseph with the Child, by Alonso Miguel de Tovar
His countless virtues made him worthy to be the foster father of the Son of God. He was the first man to see the human Face of God; the first man to hear the cry of the Word of God. Yet for centuries the most just and humble St. Joseph was fairly hidden in the Church. Not a word is spoken by St. Joseph in the Gospels. But as Pope Benedict XVI wrote, “His is a silence permeated by contemplation of the mystery of God, in an attitude of total availability to His divine wishes.”
Josephs’s Dream by Rembrandt c.1645
It was St. Teresa of Avila who recognized St. Joseph as the model of contemplative prayer. She wrote: “Would that I could persuade all men to have devotion to this glorious Saint; for I know by long experience what blessings he can obtain for us from God.”Because St. Joseph was silent, he was attuned to hear the voice of God, although it was in darkness and obscurity. “Those who practice prayer,” says St. Teresa, “should have a tremendous devotion to him always.”
“Joseph, the honest man, seeks God. Joseph, the selfless man, finds God. Joseph, the hidden man, delights in God’s presence.” –Second Panegyric on St. Joseph by Bossuet
Holy Family with bird, c. 1650, by Murillo
St. Joseph, through continuous prayer, sought God’s Will in each present moment. St. Teresa writes that he is the master of the interior life. “In human life Joseph was Jesus’ master in their daily contact, full of refined affection, glad to deny himself in order to take better care of Jesus. Isn’t that reason enough for us to consider this just man, this holy patriarch, in whom the faith of the old covenant bears fruit, as master of interior life? Interior life is nothing but continual and direct conversation with Christ, so as to become one with Him. And Joseph can tell us many things about Jesus.” St. Joseph reveals those hidden graces in our daily lives; gifts from God that are available in each ordinary moment, as well as in trials and times of suffering. St. Joseph teaches us to live by faith as he did, before the presence of such a great mystery, by contemplating the human Face of God with the eyes of faith.
“In the wonder of the Incarnation your Eternal Word has brought to the eyes of faith a new and radiant vision of your glory. In him we see our God made visible, and so are caught up in the love of the God we cannot see.” (from the Christmas liturgy of the Mass).
“Father, forgive them for they know not what they do.” (Face of Christ on the Limpias Crucifix.)
We are commanded by Christ to “forgive others; even our enemies.” “For if you forgive other people for their offenses, your Heavenly Father will also forgive you.” (Matthew 6:14) To forgive a grave injustice done to one can be a long, painful process that takes time, courage, and heartfelt prayer for those who have wounded us. God does not will the death of a sinner, but desires that they may be converted and live. (Ezekiel 18:23) When we look into the “Mirror of Love” that is the Face of Jesus in His Passion, we can not only acknowledge our own sins and failings, before His Face; but we can also ask for the grace to surrender to Christ any injustice done to us, trusting that He will take care of everything. Then Jesus, in turn, can bring about healing and peace to the soul…
From the Mirror of Love by St. Aelred, abbot:
The Mocking of Christ by Bl. Fra Angelico.
The perfection of brotherly love lies in the love of one’s enemies. We can find no greater inspiration for this than grateful remembrance of the wonderful patience of Christ. He who is more fair than all the sons of men offered his fair face to be spat upon by sinful men; he allowed those eyes that rule the universe to be blindfolded by wicked men; he bared his back to the scourges; he submitted that head which strikes terror in principalities and powers to the sharpness of the thorns; he gave himself up to be mocked and reviled, and at the end endured the cross, the nails, the lance, the gall, the vinegar, remaining always gentle, meek and full of peace.
The Sacrificial Lamb, Josefa de Ayala
In short, he was led like a sheep to the slaughter, and like a lamb before the shearers he kept silent, and did not open his mouth.
Who could listen to that wonderful prayer, so full of warmth, of love, of unshakeable serenity–Father, forgive them–and hesitate to embrace his enemies with overflowing love? Father, he says, forgive them. Is any love lacking in this prayer?
Yet he put into it something more. It was not enough to pray for them: he wanted also to make excuses for them. Father, forgive them, for they do not know what they are doing. They are great sinners, yes, but they have little judgement; therefore, Father, forgive them. They are nailing me to the cross, but they do not know who it is that they are nailing to the cross: if they had known, they would never have crucified the Lord of glory; therefore, Father, forgive them. They think it is a lawbreaker, an imposter claiming to be God, a seducer of the people. I have hidden my face from them, and they do not recognize my glory; therefore, Father, forgive them, for they do not know what they are doing.
Christ as the Man of Sorrows; Quentin Metsys (Netherlandish, 1465 or 1466 – 1530)
If someone wishes to love himself he must not allow himself to be corrupted by indulging his sinful nature, If he wishes to resist the promptings of his sinful nature he must enlarge the whole horizon of his love to contemplate the loving gentleness of the humanity of the Lord. Further, if he wishes to savor the joy of brotherly love with greater perfection and delight, he must extend even to his enemies the embrace of true love.
But if he wishes to prevent this fire of divine love from growing cold because of injuries received, let him keep the eyes of his soul always fixed on the serene patience of his beloved Lord and Savior.
“Forgive them Father” (Detail) painting by Hans Holbein the elder.
“If you are suffering from a bad man’s injustice, forgive him–lest there be two bad men.” –St. Augustine
Sanctuary Basilica of the Holy Face of Manoppello, (photo: Sr. Blandina Pachalis Schloemer, from the 2017 Omnis Terra Feast Day.)
Let all the earth worship and praise You, O God; may it sing in praise of Your Name, O Most High. Shout joyfully to the Lord all the earth; sing a psalm in honor of His Name, praise Him with magnificence!
–Omnis Terra Introit
“The Veronica Veil” Face of Jesus from the precious manuscript “Liber Regulae Sancti Spiritus in Saxia,” which was first carried in public procession by Pope Innocent III, beginning in 1208.
“Omnis Terra,” Latin for “All the Earth,” is celebrated on the second Sunday after Epiphany, which falls on January 18th for 2026. The entire Community of the Capuchin Friars of Manoppello will be celebrating this years “Omnis Terra” feast day in the Basilica of the Holy Face. The bishop of Chieti-Vasto, Mons. Bruno Forte will preside over the Eucharistic Celebration, in the presence of the Provincial Minister of the Capuchin Friars’ Father Simone Calvarese. There will be a brief procession of religious and faithful and a solemn blessing will be imparted to “All the Earth”, lifting in his hands–the precious of the Holy Face Veil of Manoppello.
Bishop Forte, before the relic veil of Manoppello — (Omnis Terra, Jan. 19, 2025)
The late Rev. Daren J. Zehnie in Roman Procession of Holy Face in Rome, 2016 photo: Edward Pentin
“Omnis Terra,” which had originally begun in 1208, was once again renewed during the Jubilee Year of Mercy, 2015-2016. At that time, a facsimile of the Merciful Face of of Christ on the Holy Veil of Manoppello was carried in a historic procession once again through the streets of Rome. 2016 was the first year that the Holy Face was processed in Rome since the ancient procession of Pope Innocent III from St. Peter’s Basilica to the nearby hospital of Santo Spirito in Sassia in 1208, giving alms to the poor along the way. The Omnis Terra celebration was later continued at the Basilica Shrine of Il Volto Santo in Manoppello. This significant event, celebrating the revelation of His glory is certainly a reason for all the earth to rejoice!
The first “Omnis Terra” Procession of Pope Innocent III in 1208 carrying “the Veronica” Face of Christ (from “Liber Regulae Sancti Spiritus in Saxia” manuscript 1350)
Salve! Sancta Facies! Hail, Holy Face!
Salve, Sancta Facies! Hail, Holy Face (c. 1450-1455), Willem Vrelant (1481) and associates, Walters Art Gallery, Baltimore, MD.
The exquisite illuminated manuscripts of the Middle Ages reflect the great love and devotion shown to the Holy Face, as well as provide evidence of what the Holy Face of Jesus looked like, as it was seen on a miraculous veil, known as “the Veronica.” “The Veronica,” or Veil of the Holy Face of Jesus, was the greatest relic in Rome at that time. To gaze upon the veil was the deep desire of pilgrims to Rome, who came from far and wide, to see for themselves the sheer veil bearing the Face of Jesus. Beginning with public exhibitions and processions of the Holy Veil by Pope Innocent III in the mid thirteenth century, the miraculous veil could be viewed by all. Soon the artists got to work on paintings, illustrations, poetry, prayers, and hymns in honor of the Holy Face. ( “The Veronica Route” website wonderfully catalogues many of these “Veronica” artworks, and where they may be found throughout the world.)
Portrait of a Young Man, 1450-60, Petrus Christus, London National Gallery. Seen on the wall, above the prayerful young man, is the Holy Face and the Salve! Sancta Facies Hymn
Pope John XXII, who was elected Pope in 1316, composed a beautiful hymn in honor of the Holy Face, and he also granted a special indulgence to those who recited it — and for those who could could not read, the Pope granted the same indulgence to the faithful for reciting five Our Fathers, Hail Marys, and Glory Be’s.
Detail from “Portrait of a Young Man” of the Hymn “Salve, Sancta, Facies.”
Hymn in Honor of the Holy Face by Pope John XXII (translated from the original Latin)
Hail! Holy Face of our Redeemer, hail! Which shines in all its majesty divine Upon the spotless veil, a priceless gift To Saint Veronica; of love the sign.
Hail! Glory of all time, mirror-glass of the Saints, Wherein the blessed love for eye to gaze; Destroy within us every stain of sin, And with the elect our souls towards Thee raise.
Hail, Face of God! With His own gifts adorned, Whose splendor through the ages shall not cease; Oh! make Thy light descend into our hearts, And from their earthly toils our souls release.
Hail! Mighty bulwark of the Christian faith, Of heresy and lies the Victor Thou; King in the Sacred Bread, renew the strength Of all the faithful who before Thee bow.
Hail! all our joy in this hard life below, So frail and fugitive, so quickly over; Sweet Picture, lead us onwards to the skies, That we may there the Face of Christ adore.
Hail! noblest of all gems, celestial pearl, In Thee innumerable graces shine; No hand depicted Thee, no chisel carved, Thou wert of God alone the work divine.
The tints with which Thy features He has traced Will never alter and will never fade; Changeless amidst the ravages of time, The everlasting King Thy Face may see.
Forever incorrupt and free from stain, The living Christ we honour still in Thee; Thou turnest into joy our sighs and tears, Oh! grant that we, in heaven, thy Face may see.
Be thou, we pray, our buckler and defense, Our consolation and refreshment sweet, That nothing hostile may our spirits harm, Till, after death, we rest at Jesus’ feet. Amen.
Prayer: Shed, O Lord, joy over the faces of Thy faithful, and turn them away from the depths of hell, that, protected by the contemplation of Thy divine Face, we may have strength to tread underfoot the desires of the flesh, and that we may behold Thee face to face, without fear, Lord Jesus Christ, when Thou will come to judge us. Amen.
The tints with which Thy features He has traced Will never alter and will never fade; Changeless amidst the ravages of time, The everlasting King Thy Face may see.
“Changeless through the ravages of time,” the “tints” of the image, “have never altered or faded” through the centuries. Holy Face Veil of Manoppello,( photo: Patricia Enk)
Pope Benedict XVI contemplates the Face on the Veil of Manoppello. September 1, 2006. (Photo: Paul Badde/EWTN)
Prayer of Pope Benedict XVI
Lord Jesus, as the first Apostles, whom you asked: “What do you seek?” accepted your invitation to “Come and See,” recognizing you as the Son of God, the Promised Messiah for the world’s redemption, we too, your disciples in this difficult time, want to follow you and be your friends, drawn by the brilliance of Your Face, much desired, yet hidden. Show us, O Lord, we pray you, Your Face ever new; that mirror, mystery-laden, of God’s infinite mercy. Grant that we may contemplate it with the eyes of our mind and our hearts: the Son’s Face, radiance of the Father’s glory and the imprint of His Nature (cf. Hb 1:3), the human Face of God that has burst into history to reveal the horizons of eternity. The silent Face of Jesus, suffering and risen, when loved and accepted, changes our hearts and lives. “Your Face, Lord, do I seek, do not hide Your Face from me.” (Ps. 27:8ff) How many times through the centuries and millennia has resounded the ardent invocation of the Psalmist among the faithful! Lord, with faith, we too repeat the same invocation: “Man of suffering, as one from whom other hide their faces.” (Is. 53:3) Do not hide your Face from us! We want to draw from your eyes that look on us with tenderness and compassion the force of love and peace which shows us the way of life, and the courage to follow you without fear or compromise, so as to be witnesses of your Gospel with concrete signs of acceptance, love and forgiveness. O Holy Face of Christ, Light that enlightens the darkness of doubt and sadness, life that has defeated forever the force of evil and death, O inscrutable gaze that never ceases to watch over mankind. Face concealed in the Eucharistic signs and in the faces of those that live with us! Make us God’s pilgrims in this world, longing for the infinite and ready for the final encounter, when we shall see you, Lord, “face to face” (Cor. 13:12) and be able to contemplate you forever in heavenly Glory. Mary, Mother of the Holy Face, help us to have “hands innocent and a heart pure,” hands illumined by the truth of love and hearts enraptured by divine beauty, that transformed by the encounter with Christ, we may gift ourselves to the poor and the suffering, whose face reflect the hidden presence of your Son Jesus. Amen. Pope Benedict XVI Sept. 1, 2007, written in memory of his pilgrimage to the Sanctuary Basilica of the Holy Face in Manoppello, Italy, the year before, on Sept. 1, 2006.
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“To rejoice in the splendor of His Face means penetrating the mystery of His Name made known to us in Jesus, understanding something of His Interior life and of His will, so that we can live according to His plan for humanity. Jesus lets us know the hidden Face of the Father through His human Face; by the gift of the Holy Spirit poured into our hearts.”
“While we too seek other signs, other wonders, we do not realize that He is the real sign, God made flesh; He is the greatest miracle of the universe: all the love of God hidden in a human heart, in a human Face.”
The liturgical distance between Christmas Day and the glory of the appearance of the Risen Christ on Easter are as short as a flash of lightening! The readings move swiftly from darkest night of the year, into which the light of the Face of the Infant Jesus first appears on Christmas Day, to the readings about the martyrdom of St. Stephen; his forgiveness of his murderers, and the Feast of St. John (Jn 20:1, 2 & 8) where we hear about St. John racing ahead of Peter to the tomb, where they find “the cloth that covered HIs Head;” the sight of which caused St. John “to see and believe.” Through the power of the Resurrection, God moves hearts swiftly from the darkness of sin, death, sorrow, and unbelief — to the radiant light of grace — new life, faith, joy and peace shining on the Face of the Risen Christ.
Pope Leo calls the peace of the risen Christ “the most silent revolution:” “The Good Shepherd, who gives his life for the flock and has other sheep not of this fold (John 10:11,16) is Christ, our peace,” he writes, “who has conquered death and broken down the walls of division that separate humanity (cf. Eph 2:14). His presence, his gift and his victory continue to shine through the perseverance of many witnesses through whom God’s work carries on in the world, becoming even more visible and radiant in the darkness of our time.” Peace is revolutionary, and takes tremendous courage and trust for a Christian to live as they truly believed — as did the martyrs of the past and the present — through trust in the power of the Risen Christ!
Pope Leo writes that the “contrast between darkness and light” is also “an experience that unsettles us and affects us amid trials we face in our historical circumstances. In order to overcome the darkness, it is necessary to see the light and believe in it.” We need to “see and believe” as St. John did when he saw the face of Risen Christ on the cloth; this is why I believe the Face of the Risen Christ on the Veil of Manoppello is a tangible sign for our time — a great gift to us from God! The world needs to turn to His Face once again if it desire to have peace.
We can begin by following the example of the Blessed Virgin Mary in contemplation of the Face of Jesus:
“The Virgin Mary is she who more than any other contemplated God in the human Face of Jesus. She saw Him as a newborn when, wrapped in swaddling clothes, He was placed in a manger; she saw Him when, just after His death, they took Him down from the Cross, wrapped Him in linen and placed Him in the sepulcher. Inside her was impressed the image of her martyred Son; but this image was then transfigured in the light of the Resurrection. Thus, in Mary’s heart, was carried the mystery of the Face of Christ, a mystery of death and glory. From her we can always learn how to look upon Jesus, with a gaze of love and faith, to recognize in that human countenance, the Face of God.” ~ Pope Benedict XVI
Peace is possible! When “we forget the light,” Pope Leo writes, “we lose our sense of realism and surrender to a partial distorted view of the world, disfigured by darkness and fear. ” Pope Leo recalled how St. Augustine urged Christians “to forge an unbreakable bond with peace, so that by cherishing it deeply in their hearts, they would be able to radiate its luminous warmth around them.” St. Augustine wrote: “If you wish to draw others to peace, first have it yourselves; be steadfast in peace yourselves. To inflame others, you must have the flame burning within.” Pope Leo reminds us that “Peace is more than just a goal; it is a presence and a journey.”
So, as we begin the New Year, I wish to all, and pray for “God’s greatest gift” of Peace. “Peace, wrote Pope Benedict XVI, for the World Day of Peace, 2013, “is God’s most sublime gift in which He turns towards us the splendor of His Face.”
“May the Lord bless and keep you; may He make His Face shine upon you and be merciful to you; may He turn His countenance toward you and grant you His peace.” (Numbers 6:24)
“For God, who said, ‘Let light shine out of darkness,’ made his light shine in our hearts to give us the light of knowledge of God’s glory shining on the face of Christ.” (2 Cor. 4:6)
Adoration of the Magi, Fra. Angelico & Fra. Lippi
“May the Lord, grant, in the New millennium, the Church will grow ever more in holiness, that she may become in history a true epiphany of the merciful and glorious face of Christ the Lord.” ~Pope St. John Paul II
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Benedict XVI has characterized devotion to The Holy Face as having three separate components: 1. Discipleship – an encounter with Jesus, to see Jesus in the Face of those in need. 2. The Passion of Jesus, and suffering expressed by images of the wounded Face of Jesus. 3. The Eucharist, “the great school in which we learn to see The Face of God”, which is woven between the other two. The eschatological element then builds on awakening to Christ by contemplating His Face hidden in The Eucharist.
“Our whole life should be directed toward encountering Him,” writes Benedict, “toward loving Him; and in it, a central place must be given to love of one’s neighbor, that love that in the light of The Crucified One, enables us to recognize the Face of Jesus in the poor, the weak, the suffering.” The pope goes on to explain the fruits of this contemplation: “From contemplation of the Face of God are born, joy, security, Peace.”
“Visible before to God alone and not to the world, God made the Word visible so that the world could be saved by seeing Him. This mind that entered our world was made known as the Son of God.”
~St. Hippolytus
“In the beginning was the Word, and the Word was with God, and the Word was God.
He was in the beginning with God. All things came to be through him,
and without him nothing came to be. What came to be through him was life,
and this life was the light of the human race; the light shines in the darkness,
and the darkness has not overcome it.
The true light, which enlightens everyone, was coming into the world.
He was in the world, and the world came to be through him, but the world did not know him.
He came to what was his own, but his own people did not accept him.
But to those who did accept him he gave power to become children of God, to those who believe in his name, who were born not by natural generation nor by human choice nor by a man’s decision but of God.
And the Word became flesh and made his dwelling among us, and we saw his glory, the glory as of the Father’s only Son, full of grace and truth.” (John 1:1-5, 9-14)
Kreuz als Krippe (Cross as a Crib), Oil on canvas, Unknown artist, 18th century (Photos: Paul Badde)
“While we too seek other signs, other wonders, we do not realize that He is the real sign, God made flesh; He is the greatest miracle of the universe: all the love of God hidden in a human heart, in a human Face.” ~ Pope Benedict XVI
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O that birth forever blessèd,
When the virgin, full of grace,
By the Holy Ghost conceiving,
Bore the Savior of our race;
And the Babe, the world’s Redeemer,
First revealed His sacred face,
evermore and evermore!
Merry Christmas! May His Face shine upon you and your loved ones, today and always!
“Blessed are you, daughter, by the Most High God, above all the women on earth; and blessed be the LORD God, the creator of heaven and earth.” (Judith 13:18)
Miraculous image of Our Lady of Guadalupe
The miraculous image of Our Lady of Guadalupe, the Shroud of Turin, and “Il Volto Santo,” the veil of Manoppello all have something in common. They are all Acheiropoieta, a Greek word meaning: “made without hand.” They are said to have come into existence miraculously, not created by a human painter.
The relic Veil of the Holy Face of Manoppello, faintly seen in the light, through both sides.
Extensive research that has been done on these three images, and the results are astounding. Although I have not been to Mexico to view the miraculous tilma of Our Lady, I have seen both the Holy Shroud of Turin and the Veil of Manoppello in person, and have been deeply affected by them both. Studying them has been my own personal passion over the years.
Holy Face Veil of Manoppello, Italy (Photo: Paul Badde/EWTN)
Being an artist, (and near-sighted) I tend to look at things more closely. I love this photo above sent to me many years ago by the late author Paul Badde–The detail is incredible! Zoom in and you will see each fiber of the Veil of Manoppello; examine closely His eyes, nose, lips, teeth, and hair. One never tires of looking! To paint a human face an artist studies each little detail, shape, line, form, color, and value, and may spend hundreds of hours studying as they work. One can’t help but know every little nuance by the time one has finished painting. Sr. Blandina Paschalis Schloemer, a Trappist nun from Germany, is also an artist, a painter of icons. Icon painting is very exact when it is done in the traditional manner. Sr. Schloemer began to notice striking similarities between ancient icons and images of the Face of Christ, and the images on the Shroud of Turin and the Veil of Manoppello. With the permission of her order the research has become her life’s work as well as part of her vocation.
Pope Benedict meets Sr. Blandina at the Sanctuary Basilica for the Holy Face of Manoppello
The Holy Face on the Shroud of Turin
Sr, Blandina’s research indicates that both images on the Shroud of Turin and the Manoppello Image are of the same man. I agree with her, wholeheartedly, although it is not at first glance apparent. There are also many similarities between these two images of Jesus’ Face and the image of Our Lady of Guadalupe. First, all are on a cloth. The image of Our Lady of Guadalupe is on cactus fiber, which should have disintegrated hundreds of years ago according to scientists. The Shroud of Turin is on linen and the Manoppello Image is on woven sea-silk, called byssus.
Our Lady of Guadalupe, pilgrim image beside the Veronica Altar, at St. Peter’s Basilica in Rome. Photo: Paul Badde, author of The Face of God: The Rediscovery of the True Face of Jesus, Ignatius Press.
Byssus is more rare and more precious than gold. Mentioned in the Bible, byssus, has a shimmering, iridescent quality which reflects light. Byssus is extremely delicate, yet strong at the same time. It resists water, weak acids, bases, ethers or alcohols. It can’t be painted, as it does not retain pigments, it can only be dyed; and then, only purple. Did I mention that it can last for more than 2000 years?
The veil of Manoppello, woven with byssus, is so sheer that you can read through it. Photo: Paul Badde
Another similarity between the Guadalupe image and the Manoppello image is the changeability of the images. Pilgrims have related how the image of Our Lady on the tilma appears to change in color, brightness and depth. Scientists can’t explain how the Guadalupe image appears on the tilma, it is not painted… it is “just there.” The Shroud of Turin has been described similarly. The veil of Manoppello, or “Il Volto Santo” as it is also known, is even more incredible, if that can be possible, because in addition to the image being on a veil so sheer that it can be read through; it also changes in detail, color, and shape. It even disappears… entirely. It is called a “living image” and so it is. No two people will see it in the same way. No single person will see it in the same way twice.
“Il Volto Santo of Manoppello”
Julian of Norwich, the English mystic of the 14th century, mentions changeability as a characteristic of the Veil of Veronica in Rome, “the diverse changing of color and countenance, sometime more comfortably life-like, sometime more rueful and death-like.” The Veil of Veronica, it is now believed, was most likely stolen a hundred years later, during the sack of Rome. But, Julian of Norwichs’ description of the Veil of Veronica certainly fits “Il Volto Santo” of Manoppello.
But, there is more. There is something about the faces… if you study the faces in particular, especially the eyes, as one opthamalogist did. On the eyes of Our Lady of Guadalupe, you will notice that something. Similar research has been done on the eyes of “Il Volto Santo.” There are delicate, natural, details in all three images that cannot be accomplished without the aid of paint or brush, on a rough, cactus cloth, or on a linen burial shroud or on gossamer-thin sea-silk. If you have an opportunity, look closely. Yes, there is something about the faces, and it is something supernatural. They are not made by human hands, but by the Hand of God.
“O Blessed Virgin Mary, Our Lady of Guadalupe,
By your presence you made the desert bloom with flowers
may your love transform us into the image of Your Son, Jesus Christ. Amen.”
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Roses in Winter
“A great sign appeared in the sky, a woman clothed with the sun, with the moon under her feet,and on her head a crown of twelve stars. She was with child…” (Rev. 12)
This story of Your Lady of Guadalupe begins in a very dark place. It was time of sin, suffering, and death, when the Aztecs sacrificed human beings to an idol that required human blood. In other words, a time not so different from our own, when millions of unborn children are sacrificed on the altar of “choice” to the idol of death. It was in this dark period of history, in the sixteenth century, that the Blessed Virgin Mary intervened for humanity. She was sent by God to defeat the culture of death at that time in Mexico. Like the “Woman” in Revelation, “clothed in the sun, with moon at her feet,” on December 9, 1531, she appeared to a poor man of no importance or influence, one of Mary’s “little ones,” Juan Diego. The beautiful young woman, whose clothing indicated that she was pregnant, called him by name as a mother would, “Juanito” – “little Juan.” She spoke to Juan:
Virgin Mother Our Lady of Guadalupe “God’s temple in heaven was opened, and the ark of his covenant could be seen in the temple.” (Rev. 11:19)
“I want you to know for certain, my dear son, that I am the perfect and always Virgin Mary, Mother of the True God from Whom all life comes, the Lord of all things, Creator of heaven and earth.”
The Blessed Mother then requested that Juan Diego go to his bishop and ask that a church be built in her honor, in which she would show —
“…all my love, compassion and protection. I am your Mother full of mercy and love for you and all those who love me, trust in me, and have recourse to me. I will hear their complaints, and I will comfort their affliction, and their sufferings.”
However, when Juan repeated her words to Bishop Zumarraga, the bishop, fearing an illusion, was skeptical, and sent Juan away. But in his heart Bishop Zumarraga prayed, asking God for a sign of Castillian Roses, which only grew in the bishop’s native country of Spain.
She appeared again to Juan Diego and finally, early in the morning of December 12th, the Blessed Mother asked him to return to the bishop. She instructing him first to go to the top of Tepeyac Hill “and pick the flowers that you find there and bring them to me.” Although, it was too cold and dry for flowers to grow, Juan obediently climbed the hill and discovered beautiful, sweet-smelling roses growing there, which he gathered up into his tilma – a sort of working cloak made of cactus fiber. Our Lady then, with her own hands, carefully arranged the roses in his tilma. She told Juan to give them to the bishop as a sign that he should build the church.
After running all the way to the bishop’s residence, Juan was made to wait for hours by some servants, who, curious about what he held so closely in his tilma, tried to force Juan to show them. Finally, they informed the bishop that Juan was waiting, and Juan rushed to the bishop, who was meeting with other people in the room, and he unfolded his cloak. The roses, still covered with dew, tumbled to the floor, revealing on the tilma the beautiful image of the Blessed Mother. The bishop and the others fell to their knees.
The Indians, upon seeing the miraculous image, recognized the rich symbolism contained within it as coming from heaven. Thus, they converted by the millions, and their religion of human sacrifice was ended.
The tilma miraculously exists to this day, though the cactus fiber should have disintegrated after forty years. In the past century, even when a load of dynamite was exploded just below it the blast severely damaged everything around it, but did not touch the image. There is no paint or pigment on the image of Our Lady of Guadalupe. It is an “Acheiropoieta,” a Greek word meaning: “made without human hands.” Like other acheiropoieta, such as the Shroud of Turin, and the Veil of Manoppello, there is no scientific explanation for the image’s existence, except, that it was made by the hand of God, “the true God, from Whom all life comes, the Lord of all things, Creator of Heaven and earth.” Images such as these are ongoing miracles – tangible signs of God’s mercy and love. Let us ask Him then, through the intercession of Our Lady of Guadalupe, to redeem this generation, mired in the deep darkness of sin, death, and idolatry, to bring Light and roses of life into the cold darkness — to save the lives of the unborn, and convert souls by turning them, once again, away from idols and back to the Face of her Son and her God; who suffered, died and rose from the dead.
Relic veil of the Holy Face of Manoppelllo (Photo: Patricia Enk)
These three miraculous images created by God have something else in common–They draw us by love, and not by fear to God. He condescends towards mankind to draw us to himself, inviting us to look more closely at the pure and lovely face of His own mother, and his own Holy Face; to contemplate his great humility, goodness, mercy and love.
From a sermon by Saint Peter Chrysologus — Love desires to see God:
“When God saw the world falling to ruin because of fear, he immediately acted to call it to himself by his love. He invited it by his grace, preserved it by his love, and embraced it with compassion. When the earth had become hardened in evil, God sent the flood both to punish and to release it. He called Noah to be the father of a new era, urged him with kind words, and showed that he trusted him; he gave him fatherly instruction about the present calamity, and through his grace, consoled him with hope for the future.
But God did not merely issue commands; rather with Noah sharing the work, he filled the art with the future seed of the whole world. The sense of loving fellowship thus engendered removed servile fear, and a mutual love could continue to preserve what shared labor had effected.
God called Abraham out of the heathen world, symbolically lengthened his name, and made him the father of all believers. God walked with him on his journeys, and protected him in foreign lands, enriched him with earthly possessions, and honored him with victories. He made a covenant with him, saved him from harm, accepted his hospitality, and astonished him by giving him the offspring he had despaired of. Favored with so many graces and drawn by such great sweetness of divine love, Abraham was to learn to loved God rather than fear him, and love rather than fear was to inspire his worship.
God comforted Jacob by a dream during his flight, roused him to combat upon his return, and encircled him with a wrestler’s embrace to teach him not to be afraid of the author of the conflict, but to love him. God called Moses as a father would, and with fatherly affection invited him to become the liberator of his people. In all these events we have recalled, the flame of divine love enkindled human hearts and its intoxication overflowed into men’s senses.
Wounded by love, they longed to look upon God with their bodily eyes. Yet how could our narrow human vision apprehend God, whom the whole world cannot contain? But the law of love is not concerned with what will be, what ought to be, what can be. Love does not reflect; it is unreasonable and knows no moderation. Love refuses to consoled when its goal proves impossible, despises al hindrances to the attainment of its object.
Love destroys the lover if he cannot obtain what he loves; love follows its own prompting, and does not think of right or wrong. Love inflames desire which impels it toward things that are forbidden. But why continue?
It’s intolerable for love not to see the object of its longing. That is why whatever reward they merited was nothing to the saints if they could not see the Lord. A love that desires to see God may not have reasonableness on its side, but it is the evidence of filial love. It gave Moses the temerity to say: If I have found favor in your eyes, show me your face. It inspired the psalmist to make the same prayer:
Show me your face.
Even the pagans made their images for this purpose: they wanted actually to see what they mistakingly revered.”
“Thou art all fair, my love, there is no spot in thee.” (Song of Solomon 4:7)
“From the greatness and beauty of created things comes a corresponding perception of their Creator,” “for the author of beauty created them.” (Wisdom 13: 3, 5)
The spiritual beauty of God is reflected most perfectly in the woman He created to be His Mother. No stain of sin would mar the beauty of His reflection in her soul. Never for one instant would she be under the power of the devil. “The Blessed Virgin Mary, in the first instance of her conception, by a singular grace and privilege granted by Almighty God, in view of the merits of Jesus Christ, the Savior of the human race, was preserved free from all stain of original sin.” (Dogma of the Immaculate Conception) Mary herself proclaims, “My spirit has rejoiced in God my Savior.” (Luke 1:47)
As the Immaculate Conception, Mary bears in herself the most perfect reflection of the face of God. Pope St. John Paul II wrote, “The Blessed Virgin saw shining upon her, as no other creature, the face of the Father, rich in grace and mercy.” What in Heaven and on earth could be more beautiful than the Mother of God? It is God who has willed that Mary be beautiful, not only fair in face, but in the fullness of grace. Yet, beauty has a purpose, and that is to draw us by the beauty of the graces God has given her towards the Beatific Vision–the Face of God. Mary has no greater desire than that we turn towards the Face of her Son, as she does, with eyes of love.
Strangely, there are some who see the Blessed Mother not as a gift from God who leads us to her Son, but as an obstacle. We increasingly see acts of vandalism to statues and images of the Blessed Virgin Mary–the demons fear her beauty! They want to separate the Mother from the Son, even resorting to violence of smashing statues and slashing paintings of her, mistakenly thinking that somehow this could be pleasing to God, but it is only pleasing to the devil. It is blasphemy. When we separate ourselves from Mary, we separate ourselves from Christ. In The Everlasting Man G.K. Chesterton tells a story from his childhood, many years before he became a Catholic, which left a deep impression on his soul:
“When I was a boy a more Puritan generation objected to a statue upon my parish church representing the Virgin and Child. After much controversy, they compromised by taking away the Child. One would think that this was even more corrupted with Mariolatry, unless the mother was counted less dangerous when deprived of a sort of weapon. But the practical difficulty is also a parable. You cannot chip away the statue of a mother from all round that of a newborn child. You cannot suspend the new-born child in mid-air; indeed you cannot really have a statue of a newborn child at all. Similarly, you cannot suspend the idea of a newborn child in the void or think of him without thinking of his mother. You cannot visit the child without visiting the mother, you cannot in common human life approach the child except through the mother. If we are to think of Christ in this aspect at all, the other idea follows I as it is followed in history. We must either leave Christ out of Christmas, or Christmas out of Christ, or we must admit, if only as we admit it in an old picture, that those holy heads are too near together for the haloes not to mingle and cross.”
Jesus alone is “the Way” that leads to the Father, but Mary is the most beautiful image and likeness of Christ, which will lead us to Him. Dostoevsky once said that “Beauty will save the world!” Mary has a spiritual beauty to share with the world that attracts and expresses what is beyond words, in the depths of her heart, the love of a mother for her Savior and Son.
“Our Lady, in whose face – more than any other creature – we can recognize the features of the Incarnate Word.” –Pope Benedict XVI Madonna and Child from the Robert Lehman Collection, Metropolitan Museum of Art
A Little Litany by G.K.Chesterton
When God turned back eternity and was young, Ancient of Days, grown little for your mirth (As under the low arch the land is bright) Peered through you, gate of heaven – and saw the earth.
Or shutting out his shining skies awhile Built you about him for a house of gold To see in pictured walls his storied world Return upon him as a tale is told.
Or found his mirror there; the only glass That would not break with that unbearable light Till in a corner of the high dark house God looked on God, as ghosts meet in the night.
Star of his morning; that unfallen star In the strange starry overturn of space When earth and sky changed places for an hour And heaven looked upwards in a human face.
Or young on your strong knees and lifted up Wisdom cried out, whose voice is in the street, And more than twilight of twiformed cherubim Made of his throne indeed a mercy-seat.
Or risen from play at your pale raiment’s hem God, grown adventurous from all time’s repose, Of your tall body climbed the ivory tower And kissed upon your mouth the mystic rose.
Miraculous Image of Our Lady of Guadalupe “I am your merciful Mother.”
“Look Closely – Our Lady of Guadalupe – Not Made by Human Hands” click here.
Illumina Domine Blog - Devotion to The Holy Face 