Mary’s Veil of Faith

Another Mary, Mary Magdalene embracing the Face of Jesus
Mary Magdalene embracing the Face of Jesus in Boticelli’s Deposition 

Mary’s Veil of Faith

O Jesus, hidden God, my heart perceives You, though veils hide You, You know that I love You. ~Prayer of St. Faustina Kowalska

 

The word “veil” can have many meanings. A veil can cover the face, the head, or an object; it can cover, conceal, or separate. In ancient Jewish tradition a veil in the Holy of Holies in the Temple separated sinful man from the presence of God dwelling in the midst of His People. The holiness of God was not to be taken lightly. The blinding light of the purity and glory of the Face of God could not be looked upon by sinful eyes.

But when God chose Mary to be the Mother of His Son He created her to be all-pure and sinless from the moment of her conception through the merits of her Son, Jesus. In Matthew 5:8 we read, “Blessed are the pure of heart, for they shall see God.” What was to prevent Mary, the Immaculate Conception, who was free from all sin, from seeing the Face of God in all His glory even while she was still here on earth? The answer is, in a word, a veil.

The Virgin of the Grapes by Pierre Mignard

When the Word of God became flesh in the womb of the Blessed Virgin Mary, at the Incarnation, Mary became His Tabernacle. Jesus’ human flesh was His veil: “by the new and living way he opened for us through the veil, that is His flesh” (Heb. 10:20). The Angel Gabriel told Mary that she would be the mother of the Son of God.  But Mary, though “full of grace” and all-pure, would only gaze upon the human face of her child and upon the Face of her God through the veil of faith.

Elizabeth bore witness to Mary’s faith when “filled with the Holy Spirit” she greeted Mary with a loud cry: “Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me?…“Blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord” (Lk. 1:45). As Pope St. John Paul II wrote in Redemptoris Mater, “Mary entrusted herself to God completely, with the full submission of intellect and will…this response of faith included both perfect cooperation with ‘the grace of God that precedes and assists’ and perfect openness to the action of the Holy Spirit, who constantly brings faith to completion by His gifts.”

The Man of Sorrows in the arms of the Virgin Mary, by Hans Memling

In a truly heroic manner, in poverty and suffering, on her whole pilgrimage or journey towards God, Mary believed, in faith, though everything happening around her seemed to contradict God’s words to her: That “the Lord will give to him the throne of his father David.” And that “He will reign over the house of Jacob forever and of His kingdom there will be no end.” Mary believed these invisible truths about her Son, even as Jesus, suffered and died, hanging on the Cross. What was visible on an earthly level did not reflect the heavenly reality. Mary did not necessarily see her Son radiant in glory or angels ministering to Him in His Passion.  At the foot of the Cross she saw His bruised and bloodied suffering Face.

Our Lady of Sorrows

Pope St. John Paul II tells us in Redemptoris Mater that “faith is contact with the mystery of God. Every day Mary is in constant contact with the ineffable mystery of God made-man, a mystery that surpasses everything revealed in the Old Covenant… Mary is in contact with the truth about her Son only in faith and through faith!” Though all-pure, she could not see, except through faith. “Blessed is she who believed” is a key, he says, which unlocks for us the innermost reality of Mary. Mary’s all-pure eyes looked on the glory of her Son through a veil of faith, “a dark night,” to use the words of St. John of the Cross, that feeling of darkness or emptiness when a soul draws near to the brightness and glory of God. Pope St. John Paul II writes in Redemptoris Mater that Mary’s faith is: “a kind of a veil though which one has to draw near to the Invisible One and to live in intimacy with the mystery.”

Joan Mates, Mourning over the body of Christ

The stone rolled in front of tomb is also a sort of veil — seemingly impervious, unmovable, like the hardened hearts of souls closed off from God — yet hiding Our Crucified Lord within. When Mary stood in bitter desolation before the massive stone of the tomb, she knew that Jesus was dead. Still, her heart was full of hope. She heroically believed that her Son would rise again in glory. Mary’s faith was so strong that her heart believed what her eyes could not perceive. We too must believe, although Jesus may be silent and hidden completely from our eyes. If we had a little of Mary’s faith, through her intercession, even the heaviest stone could be rolled away by Our Lord, as though it were the lightest veil. Then,  the hardest of hearts could be changed, and her glorious Son would be revealed.

In this earthly pilgrimage of faith a veil lies over our hearts, as St. Paul writes: “To this day, in fact…a veil lies over their hearts, but whenever a person turns to the Lord the veil is removed… All of us, with unveiled face gazing on the glory of the Lord, are being transformed into the same image from glory to glory, as from the Lord who is the Spirit.” (2 Cor. 4:15-16, 18) As members of the Church, we can “look at” Jesus through Mary’s eyes of faith, in the Eucharist, in our neighbor; believing in His Word and following her example in our pilgrimage towards the Father until that time when the “veil” of faith will be finally lifted.

Mary adored Jesus beneath the Eucharistic Veil of the appearance of bread.
The Virgin of the Host, by Jean-Auguste-Dominique Ingres

“Blessed is she who believed!”

“Faith is the realization of what is hoped for and evidence of things not seen.” (Heb. 11:1)

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The byssus Veil of Manoppello, which is thought to be one of the burial cloths of Jesus, photo: Paul Badde/EWTN

Prayer to the Holy Face for the liberation from the coronavirus

Lord Jesus, Savior of the world, hope that will never disappoint us, have mercy on us and deliver us from all evil! Please overcome the scourge of this virus which is spreading, heal the sick, preserve the healthy, support those who work for the health of all. Show us your face of mercy and save us in your great love. We ask you through the intercession of Mary, Your Mother and ours, who faithfully accompanies us. You who live and reign forever and ever. Amen.
+ Bruno Forte
Archbishop of Chieti – Vasto (Italy)

Signs and Wonders

Miraculous Image of Our Lady of Guadalupe "I am your merciful Mother."
Miraculous Image of Our Lady of Guadalupe
“I am your merciful Mother.”

Why does God work signs and wonders?  There can only be one answer: His Merciful Love.  Our Creator knows our human weakness.  Our faith may be weak, or we may have no faith at all.  We experience things and come to knowledge through our senses, so God grants us signs that we can see, hear, smell and touch signs of His goodness.  The Old Testament is filled with signs and wonders that God granted to all mankind to reveal His Presence and show His power and might.  But what could be more miraculous than the New Testament miracle that a virgin should be with child and bear a son? That God should become a tiny infant in the womb or that bread and wine should become the Body and Blood of Christ? Through these unimaginable signs God shows Himself to be not only all-powerful, but also all-good, all-humble, all-merciful, all-LOVE!

Signs and wonders do not end with the New Testament, but are on going.  They continue today.  For instance, in 1531, Our Lady appeared as a virgin with child to a humble Juan Diego and left an image of herself on his tilma as a sign for all peoples of her maternal love and of the merciful love of God.  The wondrous image was “painted” not by brush and paint, but by the hands of Our Lady herself as she gently arranged miraculous Castillian roses in Juan Diego’s tilma as a proof for his Bishop that a church should be built at the site of her appearance.  The image of Our Lady of Guadalupe speaks volumes to people of all times. As she told Juan Diego, “I am your merciful Mother, the Mother of all who live in this land and all of mankind.  I hear the weeping and sorrows of those who love me, cry to me, and have confidence in me, and I will give them consolation and relief.”

Sheer Veil of the Holy Face of Manoppello Photo: Paul Badde
Sheer Veil of the Holy Face of Manoppello
Photo: Paul Badde

To enumerate the many scientific studies done on the miraculous images of the tilma of Our Lady of Guadalupe, or the Shroud of Turin, or the Holy Veil of Manoppello may demonstrate to those who need proof that they are indeed miracles.  But faith is still required for belief and some, in spite of the facts or reliable testimony, may still have doubts or sadly choose not to believe.

Perhaps we have trouble believing miracles because at heart we have trouble believing that God loves us and that He would stoop down from Heaven to show that love in some tangible way. Proof or not, the gifts of the Love and Mercy of God are still there so that we may “see and believe.”  God has given us these wondrous signs and they should not be taken for granted!  He is communicating something to each individual through these signs.  Let us pray for ourselves and for unbelievers, “Lord, help us in our unbelief.”

What greater sign of His Love than the bread and wine become His Body and Blood?
What greater sign of His Love than that the bread and wine become His Body and Blood?

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(Below is a re-post from 12/2014 for the Feast of Our Lady of Guadalupe)

Look Closely – Our Lady of Guadalupe “Not made by Human Hands”

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Miraculous image of Our Lady of Guadalupe

The miraculous image of Our Lady of Guadalupe, the Shroud of Turin, and “Il Volto Santo,” the veil of Manoppello all have something in common.  They are all Acheiropoieta, a Greek word meaning: “made without hand.”  They are said to have come into existence miraculously, not created by a human painter.

image-16
The Holy Face on the Shroud of Turin

The extensive research that has been done on these three images, and the results are astounding.  Although I have not been to Mexico to view the miraculous tilma of Our Lady, I have seen both the Holy Shroud of Turin and the Veil of Manoppello in person.  Studying them has been my own personal passion.

Being an artist, (and near-sighted) I tend to look at things more closely.  I study each little detail, shape, line, form, color, and  value. I may spend hundreds of hours studying while I work.  I can’t help but know every little nuance by the time I am done painting.  Sr. Blandina Paschalis Schloemer, a Trappist nun from Germany, is also an artist, a painter of icons.  Icon painting is very exact when it is done in the traditional manner.  Sr. Schloemer began to notice striking similarities between ancient icons and images of the Face of Christ, and the images on the Shroud of Turin and the Veil of Manoppello.  With the permission of her order the research has become her life’s work as well as part of her vocation.

IMG_0172
Pope Benedict meets Sr. Blandina at the Sanctuary Basilica for the Holy Face of Manoppello

Her research indicates that both images on the Shroud of Turin and the Manoppello Image are of the same man.  I agree with her, wholeheartedly, although it is not at first glance apparent.   There are also many similarities between these two images  of Jesus’ Face and the image of Our Lady of Guadalupe.  First, all are on a cloth.  The image of Our Lady of Guadalupe is on cactus fiber, which should have disintegrated hundreds of years ago according to scientists. The Shroud of Turin is on linen and the Manoppello Image is on woven sea-silk, called byssus.

DSC08115
Our Lady of Guadalupe, pilgrim image beside the Veronica Altar, at St. Peter’s Basilica in Rome. Photo: Paul Badde, author of The Face of God: The Rediscovery of the True Face of Jesus, Ignatius Press.

Byssus  is more rare and more precious than gold.  Mentioned in the Bible, byssus, has a shimmering, iridescent quality which reflects light. Byssus is extremely delicate, yet strong at the same time. It  resists water, weak acids, bases, ethers or alcohols. It can’t be painted, as it does not retain pigments, it can only be dyed; and then, only purple.  Did I mention that it can last for more than 2000 years?

DSC06317
The veil of Manoppello, woven with byssus, is so sheer that you can read through it. Photo: Paul Badde

Another similarity between the Guadalupe image and the Manoppello image is the changeability of the images.  Pilgrims  have related how the image of Our Lady on the tilma appears to change in color, brightness and depth.  Scientists can’t explain how the Guadalupe image appears on the tilma, it is not painted… it is “just there.”  The Shroud of Turin has been described similarly. The veil of Manoppello, or “Il Volto Santo” as it is also known,  is even more incredible, if that can be possible, because in addition to the image being on a veil so sheer that it can be read through, it also changes in detail, color,  and shape.  It even disappears… entirely. It is called a “living image” and so it is.  No two people will see it in the same way.  No single person will see it in the same way twice.

image-1
“Il Volto Santo of Manoppello”

Julian of Norwich, the English mystic of the 14th century,  mentions changeability as a characteristic of the Veil of Veronica in Rome, “the diverse changing of color and countenance, sometime more comfortably life-like, sometime more rueful and death-like.” The Veil of Veronica, it is now believed, was most likely stolen a hundred years later, during the sack of Rome.  But, Julian of Norwichs’ description of the Veil of Veronica certainly fits “Il Volto Santo” of Manoppello.

But, there is more.  There is something about the faces… if you study the faces in particular, especially  the eyes, as one opthamalogist did. On the eyes of Our Lady of Guadalupe, you will notice that something.  Similar research has been done on the eyes of “Il Volto Santo.”  There are delicate, natural, details in all three images that cannot be accomplished without the aid of paint or brush, on a rough, cactus cloth, or on a linen burial shroud or on gossamer-thin sea-silk.  If you have an opportunity, look closely.  Yes, there is something about the faces, and it is something supernatural.  They are not made by human hands, but by the Hand of God.

“O Blessed Virgin Mary, Our Lady of Guadalupe,

By your presence you made the desert bloom with flowers

may your love transform us into the image of Your Son, Jesus Christ.  Amen.”

Mardi Gras Feb. 17: The Feast of The Holy Face, Act of Consecration

“Christ’s response, “Whoever has seen me, has seen the Father, “lead us into the heart of Christological faith.”  — Pope Benedict XVI

Jesus Christ the Alpha and the Omega
Jesus Christ the Alpha and the Omega

 Act of Consecration

O Lord Jesus, we believe most firmly in You, we love You.  You are the Eternal Son of God and the Son Incarnate of the Blessed Virgin Mary.  You are the Lord and Absolute Ruler of all creation.  We acknowledge You, therefore, as the Universal Sovereign of all creatures.  You are the Lord and Supreme Ruler of all mankind, and we, in acknowledging this Your dominion, consecrate ourselves to You now and forever.  Loving Jesus, we place our family under the protection of Your Holy Face, and of Your Virgin Mother Mary most sorrowful.  We promise to be faithful to You for the rest of our lives and to observe with fidelity Your Holy Commandments.  We will never deny before men, You and Your Divine rights over us and all mankind.  Grant us the grace to never sin again; nevertheless, should we fail, O Divine Saviour, have mercy on us and restore us to Your grace.  Radiate Your Divine Countenance upon us and bless us now and forever.  Embrace us at the hour of our death in Your Kingdom for all eternity, through the intercession of Your Blessed Mother, of all Your Saints who behold You in Heaven, and the just who glorify You on earth.  O Jesus, be mindful of us forever and never forsake us; protect our family.  O Mother of Sorrows, by the eternal glory which you enjoy in Heaven, through the merits of your bitter anguish in the Sacred Passion of your Beloved Son, our Lord Jesus Christ, obtain for us the grace that the Precious Blood shed by Jesus for the redemption of our souls, be not shed for us in vain.  We love you, O Mary.  Embrace us and bless us, O Mother.  Protect us in life and in death.  Amen. 

Glory to the Father, and to the Son, and to the Holy Spirit.  As it was in the beginning, is now, and will be forever.  Amen.

Happy Feast of The Holy Face of Jesus!

St. Veronica, the model of reparation to The Holy Face
Hans Memling’s “St. Veronica c.1470-75  – St. Veronica, the model of reparation to The Holy Face

“It is the Church’s task to reflect the light of Christ in every historical period, to make His Face shine before the generations of the new millennium.  Our witness, however, would be hopelessly inadequate if we ourselves had not first contemplated His FACE!”  –St. Pope John Paul II

All are invited…

Feast of The Holy Face
Please offer prayers of reparation on The Feast of The Holy Face, wherever you may be. May God reward you!

Tuesday, February 17th from 6pm to 9pm Benediction, St. Anselm Catholic Church, Madisonville, Louisiana

You are invited to an evening of prayer, sacred music, and Adoration of The Eucharistic Face of Christ in The Blessed Sacrament. The Sacrament of Confession will be available throughout the evening.

For those in the New Orleans, LA area, there will take place the Annual Holy Face Triduum February 14, 15 and 16 at Our Lady of Perpetual Help Church in Kenner. Each night begins with the Rosary at 6:00 pm, followed by Mass at 6:30 pm.

In addition, on February 16th, there will be the Mardi Gras Day of Prayer. Mass at 12:00 noon, 6:30 pm, and closing Midnight Mass for Ash Wednesday. In between Masses, the Church will be open for prayer and devotions.

 

St. Therese of The Child Jesus and The Holy Face Icon by Patricia Enk
St. Therese of The Child Jesus and The Holy Face Icon by Patricia Enk

“O Jesus, Whose adorable Face ravishes my heart, I implore Thee to fix deep within me Thy Divine Image and set me on fire with Thy Love, that I may be found worthy to come to contemplation of Thy glorious Face in Heaven.  Amen.” — St. Therese

Look Closely – Our Lady of Guadalupe “Not made by Human Hands”

IMG_0678
Miraculous image of Our Lady of Guadalupe

The miraculous image of Our Lady of Guadalupe, the Shroud of Turin, and “Il Volto Santo,” the veil of Manoppello all have something in common.  They are all Acheiropoieta, a Greek word meaning: “made without hand.”  They are said to have come into existence miraculously, not created by a human painter.

image-16
The Holy Face on the Shroud of Turin

The extensive research that has been done on these three images, and the results are astounding.  Although I have not been to Mexico to view the miraculous tilma of Our Lady, I have seen both the Holy Shroud of Turin and the Veil of Manoppello in person.  Studying them has been my own personal passion.

Being an artist, (and near-sighted) I tend to look at things more closely.  I study each little detail, shape, line, form, color, and  value. I may spend hundreds of hours studying while I work.  I can’t help but know every little nuance by the time I am done painting.  Sr. Blandina Paschalis Schloemer, a Trappist nun from Germany, is also an artist, a painter of icons.  Icon painting is very exact when it is done in the traditional manner.  Sr. Schloemer began to notice striking similarities between ancient icons and images of the Face of Christ, and the images on the Shroud of Turin and the Veil of Manoppello.  With the permission of her order the research has become her life’s work as well as part of her vocation.

IMG_0172
Pope Benedict meets Sr. Blandina at the Sanctuary Basilica for the Holy Face of Manoppello

Her research indicates that both images on the Shroud of Turin and the Manoppello Image are of the same man.  I agree with her, wholeheartedly, although it is not at first glance apparent.   There are also many similarities between these two images  of Jesus’ Face and the image of Our Lady of Guadalupe.  First, all are on a cloth.  The image of Our Lady of Guadalupe is on cactus fiber, which should have disintegrated hundreds of years ago according to scientists. The Shroud of Turin is on linen and the Manoppello Image is on woven sea-silk, called byssus.

DSC08115
Our Lady of Guadalupe, pilgrim image beside the Veronica Altar, at St. Peter’s Basilica in Rome. Photo: Paul Badde, author of The Face of God: The Rediscovery of the True Face of Jesus, Ignatius Press.

Byssus  is more rare and more precious than gold.  Mentioned in the Bible, byssus, has a shimmering, iridescent quality which reflects light. Byssus is extremely delicate, yet strong at the same time. It  resists water, weak acids, bases, ethers or alcohols. It can’t be painted, as it does not retain pigments, it can only be dyed; and then, only purple.  Did I mention that it can last for more than 2000 years?

DSC06317
The veil of Manoppello, woven with byssus, is so sheer that you can read through it. Photo: Paul Badde

Another similarity between the Guadalupe image and the Manoppello image is the changeability of the images.  Pilgrims  have related how the image of Our Lady on the tilma appears to change in color, brightness and depth.  Scientists can’t explain how the Guadalupe image appears on the tilma, it is not painted… it is “just there.”  The Shroud of Turin has been described similarly. The veil of Manoppello, or “Il Volto Santo” as it is also known,  is even more incredible, if that can be possible, because in addition to the image being on a veil so sheer that it can be read through, it also changes in detail, color,  and shape.  It even disappears… entirely. It is called a “living image” and so it is.  No two people will see it in the same way.  No single person will see it in the same way twice.

image-1
“Il Volto Santo of Manoppello”

Julian of Norwich, the English mystic of the 14th century,  mentions changeability as a characteristic of the Veil of Veronica in Rome, “the diverse changing of color and countenance, sometime more comfortably life-like, sometime more rueful and death-like.” The Veil of Veronica, it is now believed, was most likely stolen a hundred years later, during the sack of Rome.  But, Julian of Norwichs’ description of the Veil of Veronica certainly fits “Il Volto Santo” of Manoppello.

But, there is more.  There is something about the faces… if you study the faces in particular, especially  the eyes, as one opthamalogist did. On the eyes of Our Lady of Guadalupe, you will notice that something.  Similar research has been done on the eyes of “Il Volto Santo.”  There are delicate, natural, details in all three images that cannot be accomplished without the aid of paint or brush, on a rough, cactus cloth, or on a linen burial shroud or on gossamer-thin sea-silk.  If you have an opportunity, look closely.  Yes, there is something about the faces, and it is something supernatural.  They are not made by human hands, but by the Hand of God.

“O Blessed Virgin Mary, Our Lady of Guadalupe,

By your presence you made the desert bloom with flowers

may your love transform us into the image of Your Son, Jesus Christ.  Amen.”