“Christ’s response, ‘Whoever has seen me, has seen the Father, lead us into the heart of Christological faith.’ ” — Pope Benedict XVI
The Veil of the Holy Face of Manoppello, photo by Paul Badde/EWTN
The Act of Consecration to the Holy Face of Jesus
O Lord Jesus, we believe most firmly in You, we love You. You are the Eternal Son of God and the Son Incarnate of the Blessed Virgin Mary. You are the Lord and Absolute Ruler of all creation. We acknowledge You, therefore, as the Universal Sovereign of all creatures. You are the Lord and Supreme Ruler of all mankind, and we, in acknowledging this Your dominion, consecrate ourselves to You now and forever. Loving Jesus, we place our family under the protection of Your Holy Face, and of Your Virgin Mother Mary most sorrowful. We promise to be faithful to You for the rest of our lives and to observe with fidelity Your Holy Commandments. We will never deny before men, You and Your Divine rights over us and all mankind. Grant us the grace to never sin again; nevertheless, should we fail, O Divine Saviour, have mercy on us and restore us to Your grace. Radiate Your Divine Countenance upon us and bless us now and forever. Embrace us at the hour of our death in Your Kingdom for all eternity, through the intercession of Your Blessed Mother, of all Your Saints who behold You in Heaven, and the just who glorify You on earth. O Jesus, be mindful of us forever and never forsake us; protect our family. O Mother of Sorrows, by the eternal glory which you enjoy in Heaven, through the merits of your bitter anguish in the Sacred Passion of your Beloved Son, our Lord Jesus Christ, obtain for us the grace that the Precious Blood shed by Jesus for the redemption of our souls, be not shed for us in vain. We love you, O Mary. Embrace us and bless us, O Mother. Protect us in life and in death. Amen.
Glory to the Father, and to the Son, and to the Holy Spirit. As it was in the beginning, is now, and will be forever. Amen.
Derick Baegert, 1470
The Sudarium Veil of the Human Face of God
Holy Veil of Manoppello said to be the image of the Resurrected Christ Photo: Paul Badde/EWTN
Since ancient times a veil bearing the image of the Face of Christ has been venerated in the Church. How did we come to recognize this face as the Human Face of Jesus Christ?
“When Simon Peter arrived after him [John], he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place.” –John 20:6-7
Scripture goes on to say that “the disciple” John, who had arrived at the tomb first went in after St. Peter, “and he saw and believed.” (John 20: 8) What did St. John see that caused him to believe in the Resurrection? Perhaps the body was stolen. The cloths used to soak up the sacred blood? (The sudarium of Oviedo) That would be expected. The cloth now known as the Shroud of Turin? The faint marks on the cloth could not be seen clearly, especially within a darkened tomb, and the image on the Shroud of Turin is that of Jesus in death. Perhaps what had caused St. John to believe was the “cloth that had covered his head,” revealing in a miraculous way the Face of the living and Risen Christ.
The Holy Veil of the”Holy Face of Manoppello” in Italy Photo:Paul Badde/EWTN
St. Veronica sudarium displaying the Veil of the Holy Face
We can look at ancient mosaics and paintings and immediately recognize the Face of Jesus. But why this particular face, one that bears signs of the Passion yet at the same time is a living face miraculously present on a veil?
Legends and traditions have varied through the centuries but the face is the same. The image was known by many names, but the veil came to be known as “the Veronica,” Vera Icon, the true image. (See Four Stories, One Face)
Later, in the twelfth century legends sprang up about a woman who wiped the Face of Jesus on Calvary, who came to be known as “St. Veronica.” The story of St.Veronica points to the deepest truth about devotion to the Face of Christ — which is that each act of charity, every act of compassion, will leave the imprint of the Face of Jesus in our souls, transforming us into His own Image.
Detail of the Veil of the Face of Jesus from the precious manuscript “Liber Regulae Sancti Spiritus in Saxia”Fresco of ciborium that existed in 708 containing sudarium of the “Veronic” True Icon
Pilgrims traveled great distances to see the relic veil of the “Veronica” at the Vatican. During the Sack of Rome, in 1527, it was rumored that the “Veronica” had been stolen, and another “Veil” had taken its place –it was not a sheer cloth on which the face of Jesus could be seen from both sides — but instead, it showed the face of Christ in death, with his eyes closed. The faithful, under pain of excommunication, were to return copies of the Veronica showing the living Face of Jesus. Devotion to the Face of Christ gradually dwindled. The “Veronica” was no longer shown publicly, except at a great distance. However, the Face as it had been seen on the original veil could still be seen in the artwork of churches across Europe.
Detail depicting the Blessed Virgin Mary holding the “Veronic” Veil.Opusculum by Jacopo Grimaldi (altered date of 1618) shows a living face of “the Veronica Veil” on Vatican inventoryAfter the Sack of Rome, Opusculum of the Holy Face by Francesco Speroni inventory shows the face of a dead man.Copy made of the later “Veronica Veil ” by Pietro Strozzi, Vienna, which looked nothing like the original “living face.”
Many centuries later, in 1849, a time of great crisis in the Church, Pope Pius IX asked that the darkened cloth, held at the Vatican be exposed for the faithful to pray and beg God’s mercy and help. After three days, the faithful were rewarded for their perseverance in prayer: a face, with eyes closed, appeared to glow for three hours on the greatly darkened cloth. This was known as the Epiphany Miracle. Copies were made at once by artists, and once again devotion to the Holy Face was renewed for a time. The Archconfraternity of the Holy Face was approved and prayers were offered before the Holy Face in reparation for blasphemy, sacrilege, the profanation of the Holy Name, and the Holy day of Sunday, as well as prayers for then end of atheistic communism, which was then just rearing its ugly head in the world.
Image venerated after “The miracle of the Vatican” in 1849 – known also as the “Holy Face of Tours”St. Therese
St. Therese of the Child Jesus and the Holy Face is most often associated with the “Holy Face of Tours,” the image which was promoted in France in her lifetime; in fact, the whole Martin family joined the Confraternity of the Holy Face.
“Jesus, Your ineffable image is the star which guides my steps. Ah, You know, Your sweet Face is for me Heaven on earth. My love discovers the charms of Your Face adorned with tears. I smile through my own tears when I contemplate your sorrows.”
“O Jesus, Whose adorable Face ravishes my heart, I implore Thee to fix deep within me Thy Divine Image and to set me on fire with Thy Love, that I may be found worthy to come to the contemplation of Thy glorious Face in Heaven. Amen.” ==St. Therese
After the death of St. Therese (in 1897), the first photographic negatives of the Shroud of Turin could be seen thanks to the photographer Secondo Pia in 1898, revealing the face of a crucified man in death:
The Shroud of Turin
The sister of St. Therese, Sr. Genevieve of the Holy Face (Celine), while marveling at the beautiful photographic negatives of the Face of Jesus on the Shroud of Turin, heard the voice of her sister St. Therese telling her,“Paint Him! Paint Him as He truly is!”
Drawing of the Shroud of Turin by Sr. Genevieve of the Holy Face (Celine Martin, the sister of St. Therese)
Sr. Genevieve of the Holy Face, who was also an excellent artist, rendered a beautiful drawing of the Face on the Shroud of Turin, which won a silver medal in a Canadian exhibition.
Veronica’s Veil, Flemish 15th Century “Veronica” or “true image”
But what happened to the “Vera Icon”, the true image, the recognizable living face of Jesus on a precious sheer veil, as portrayed in this artwork centuries before?
Another image of the Face of Jesus fits the unique characteristics of the stolen miraculous “Veronica” veil of the Vatican — a sheer byssus veil with a living face — It is the Holy Veil of Manoppello. History throughout the centuries recorded what the original “True Icon” looked like.
Pope Benedict XVI gazes at the Veil of the Holy Face in Manoppello, Photo:Paul Badde/EWTN
Although the Veil of Manoppello had been hidden away for centuries in the mountain village of Manoppello, Italy, it has been recently “re-discovered.” (Paul Badde has written about this inThe Human Face of God: the Holy Veil of Manoppello)Pilgrims throughout the world are now able to see this “miracle of light” on a sheer veil which reveals the Face of Jesus from both sides.
Like the Shroud of Turin, the image is “not made by human hands,” and shows no traces of pigment. The former Rector of the Shrine of the Holy Face, the Servant of God Padre Domenico da Cese, believed the Holy Veil of Manoppello to be the sudarium veil — “the cloth that had covered His Head.” The Veil shows not only traces of the Passion but is also said to have recorded the first moment of the Resurrection — something so amazing that it caused Sts. Peter and John to believe that Jesus had Ressurected from the dead! Pope St. John Paul II, who dedicated the millennium to the Face of Christ, has said, “We cannot stop at the image of the Crucified One; He is the Risen One!” The Holy Veil of Manoppello bears witness to the Incarnation, the life, passion, death and resurrection of Jesus Christ; “true God and true man.” St. Padre Pio called the Veil of Manoppello “the greatest relic of the Church.”
“It is the Church’s task to reflect the light of Christ in every historical period, to make His Face shine before the generations of the new millennium. Our witness, however, would be hopelessly inadequate if we ourselves had not first contemplated His FACE!” – Pope St. John Paul II
While there are many beautiful images of the Face of Christ, the great gift of the Holy Face of Manoppello has been made known to the world in our time to give us hope in His Mercy, and His Peace in the midst of trial — to shine the light of His Face upon us – bringing light to the darkness of our world. If you cannot go to Manoppello as a pilgrim, as Pope Emeritus Benedict XVI did in 2006, you can enjoy these incredible, beautiful photos of the Holy Veil by Paul Badde:
The sheer Veil of Manoppello Photo: Paul Badde/EWTNHand behind the sheer Veil of Manoppello, “not made by human hand” clearly shows the miraculous nature of “Il Volto Santo” Photo: Paul Badde/EWTNGossamer-thin veil of Manoppello Photo by Paul BaddeHoly Veil of Manoppello, Photo: Paul Badde/EWTNHoly Face of Manoppello Veil, Photo by Paul Badde/EWTN“Il Volto Santo” The Holy Face of Manoppello. (Photo by Paul Badde/EWTN)The Holy Face of Manoppello, (Photo: Paul Badde)Holy Face of Manoppello, Italy Photo: Paul BaddeThe Veil of the Holy Face of Manoppello “the Living Face” Photo: Paul Badde/EWTN
Prayer to reproduce the Image of God in our souls
Our Lord told Sr. Marie St. Pierre, a Discalced Carmelite Nun, from France, that the image of His Holy Face is like a Divine stamp, which if applied to souls, through prayer, has the power of imprinting anew within them the Image of God.
I salute You! I adore you and I love you, O adorable face of my beloved Jesus, as the noble stamp of the Divinity! Completely surrendering my soul to You, I most humbly beg You to stamp this seal upon us all, so the image of God may once more be reproduced in our souls. Amen.
May the Lord bless and keep you; may He make His Face shine upon and be merciful to you; may He turn His Countenance toward you and grant you His PEACE! (Num 6:22-27)
Padre Pio called the Holy Veil of Manoppello the “greatest relic of the Church” photo: Patricia Enk
“Christ’s response, ‘Whoever has seen me, has seen the Father, lead us into the heart of Christological faith.’ ” — Pope Benedict XVI
The Veil of the Holy Face of Manoppello, photo by Paul Badde/EWTN
The Act of Consecration to the Holy Face of Jesus
O Lord Jesus, we believe most firmly in You, we love You. You are the Eternal Son of God and the Son Incarnate of the Blessed Virgin Mary. You are the Lord and Absolute Ruler of all creation. We acknowledge You, therefore, as the Universal Sovereign of all creatures. You are the Lord and Supreme Ruler of all mankind, and we, in acknowledging this Your dominion, consecrate ourselves to You now and forever. Loving Jesus, we place our family under the protection of Your Holy Face, and of Your Virgin Mother Mary most sorrowful. We promise to be faithful to You for the rest of our lives and to observe with fidelity Your Holy Commandments. We will never deny before men, You and Your Divine rights over us and all mankind. Grant us the grace to never sin again; nevertheless, should we fail, O Divine Saviour, have mercy on us and restore us to Your grace. Radiate Your Divine Countenance upon us and bless us now and forever. Embrace us at the hour of our death in Your Kingdom for all eternity, through the intercession of Your Blessed Mother, of all Your Saints who behold You in Heaven, and the just who glorify You on earth. O Jesus, be mindful of us forever and never forsake us; protect our family. O Mother of Sorrows, by the eternal glory which you enjoy in Heaven, through the merits of your bitter anguish in the Sacred Passion of your Beloved Son, our Lord Jesus Christ, obtain for us the grace that the Precious Blood shed by Jesus for the redemption of our souls, be not shed for us in vain. We love you, O Mary. Embrace us and bless us, O Mother. Protect us in life and in death. Amen.
Glory to the Father, and to the Son, and to the Holy Spirit. As it was in the beginning, is now, and will be forever. Amen.
The Sudarium Veil of the Human Face of God
Holy Veil of Manoppello said to be the image of the Resurrected Christ Photo: Paul Badde/EWTN
Since ancient times a veil bearing the image of the Face of Christ has been venerated in the Church. How did we come to recognize this face as the Human Face of Jesus Christ?
“When Simon Peter arrived after him [John], he went into the tomb and saw the burial cloths there, and the cloth that had covered his head, not with the burial cloths but rolled up in a separate place.” –John 20:6-7
Scripture goes on to say that “the disciple” John, who had arrived at the tomb first went in after St. Peter, “and he saw and believed.” (John 20: 8) What did St. John see that caused him to believe in the Resurrection? Perhaps the body was stolen. The cloths used to soak up the sacred blood? (The sudarium of Oviedo) That would be expected. The cloth now known as the Shroud of Turin? The faint marks on the cloth could not be seen clearly, especially within a darkened tomb, and the image on the Shroud of Turin is that of Jesus in death. Perhaps what had caused St. John to believe was the “cloth that had covered his head,” revealing in a miraculous way the Face of the living and Risen Christ.
The Holy Veil of the”Holy Face of Manoppello” in Italy Photo:Paul Badde/EWTN
St. Veronica sudarium displaying the Veil of the Holy Face
We can look at ancient mosaics and paintings and immediately recognize the Face of Jesus. But why this particular face, one that bears signs of the Passion yet at the same time is a living face miraculously present on a veil?
Legends and traditions have varied through the centuries but the face is the same. The image was known by many names, but the veil came to be known as “the Veronica,” Vera Icon, the true image. (See Four Stories, One Face)
Later, in the twelfth century legends sprang up about a woman who wiped the Face of Jesus on Calvary, who came to be known as “St. Veronica.” The story of St.Veronica points to the deepest truth about devotion to the Face of Christ — which is that each act of charity, every act of compassion, will leave the imprint of the Face of Jesus in our souls, transforming us into His own Image.
Detail of the Veil of the Face of Jesus from the precious manuscript “Liber Regulae Sancti Spiritus in Saxia”
Fresco of ciborium that existed in 708 containing sudarium of the “Veronic” True Icon
Pilgrims traveled great distances to see the relic veil of the “Veronica” at the Vatican. During the Sack of Rome, in 1527, it was rumored that the “Veronica” had been stolen, and another “Veil” had taken its place –it was not a sheer cloth on which the face of Jesus could be seen from both sides — but instead, it showed the face of Christ in death, with his eyes closed. The faithful, under pain of excommunication, were to return copies of the Veronica showing the living Face of Jesus. Devotion to the Face of Christ gradually dwindled. The “Veronica” was no longer shown publicly, except at a great distance. However, the Face as it had been seen on the original veil could still be seen in the artwork of churches across Europe.
Detail depicting the Blessed Virgin Mary holding the “Veronic” Veil.
Opusculum by Jacopo Grimaldi (altered date of 1618) shows a living face of “the Veronica Veil” on Vatican inventory
After the Sack of Rome, Opusculum of the Holy Face by Francesco Speroni inventory shows the face of a dead man.
Copy made of the later “Veronica Veil ” by Pietro Strozzi, Vienna, which looked nothing like the original “living face.”
Many centuries later, in 1849, a time of great crisis in the Church, Pope Pius IX asked that the darkened cloth, held at the Vatican be exposed for the faithful to pray and beg God’s mercy and help. After three days, the faithful were rewarded for their perseverance in prayer: a face, with eyes closed, appeared to glow for three hours on the greatly darkened cloth. This was known as the Epiphany Miracle. Copies were made at once by artists, and once again devotion to the Holy Face was renewed for a time. The Archconfraternity of the Holy Face was approved and prayers were offered before the Holy Face in reparation for blasphemy, sacrilege, the profanation of the Holy Name, and the Holy day of Sunday, as well as prayers for then end of atheistic communism, which was then just rearing its ugly head in the world.
Image venerated after “The miracle of the Vatican” in 1849 – known also as the “Holy Face of Tours”
St. Therese
St. Therese of the Child Jesus and the Holy Face is most often associated with the “Holy Face of Tours,” the image which was promoted in France in her lifetime; in fact, the whole Martin family joined the Confraternity of the Holy Face.
“Jesus, Your ineffable image is the star which guides my steps. Ah, You know, Your sweet Face is for me Heaven on earth. My love discovers the charms of Your Face adorned with tears. I smile through my own tears when I contemplate your sorrows.”
“O Jesus, Whose adorable Face ravishes my heart, I implore Thee to fix deep within me Thy Divine Image and to set me on fire with Thy Love, that I may be found worthy to come to the contemplation of Thy glorious Face in Heaven. Amen.” ==St. Therese
After the death of St. Therese (in 1897), the first photographic negatives of the Shroud of Turin could be seen thanks to the photographer Secondo Pia in 1898, revealing the face of a crucified man in death:
The Shroud of Turin
The sister of St. Therese, Sr. Genevieve of the Holy Face (Celine), while marveling at the beautiful photographic negatives of the Face of Jesus on the Shroud of Turin, heard the voice of her sister St. Therese telling her,“Paint Him! Paint Him as He truly is!”
Drawing of the Shroud of Turin by Sr. Genevieve of the Holy Face (Celine Martin, the sister of St. Therese)
Sr. Genevieve of the Holy Face, who was also an excellent artist, rendered a beautiful drawing of the Face on the Shroud of Turin, which won a silver medal in a Canadian exhibition.
Veronica’s Veil, Flemish 15th Century “Veronica” or “true image”
But what happened to the “Vera Icon”, the true image, the recognizable living face of Jesus on a precious sheer veil, as portrayed in this artwork centuries before?
Another image of the Face of Jesus fits the unique characteristics of the stolen miraculous “Veronica” veil of the Vatican — a sheer byssus veil with a living face — It is the Holy Veil of Manoppello. History throughout the centuries recorded what the original “True Icon” looked like.
Pope Benedict XVI gazes at the Veil of the Holy Face in Manoppello, Photo:Paul Badde/EWTN
Although the Veil of Manoppello had been hidden away for centuries in the mountain village of Manoppello, Italy, it has been recently “re-discovered.” (Paul Badde has written about this inThe Human Face of God: the Holy Veil of Manoppello)Pilgrims throughout the world are now able to see this “miracle of light” on a sheer veil which reveals the Face of Jesus from both sides.
Like the Shroud of Turin, the image is “not made by human hands,” and shows no traces of pigment. The former Rector of the Shrine of the Holy Face, the Servant of God Padre Domenico da Cese, believed the Holy Veil of Manoppello to be the sudarium veil — “the cloth that had covered His Head.” The Veil shows not only traces of the Passion but is also said to have recorded the first moment of the Resurrection — something so amazing that it caused Sts. Peter and John to believe that Jesus had Ressurected from the dead! Pope St. John Paul II, who dedicated the millennium to the Face of Christ, has said, “We cannot stop at the image of the Crucified One; He is the Risen One!” The Holy Veil of Manoppello bears witness to the Incarnation, the life, passion, death and resurrection of Jesus Christ; “true God and true man.” St. Padre Pio called the Veil of Manoppello “the greatest relic of the Church.”
“It is the Church’s task to reflect the light of Christ in every historical period, to make His Face shine before the generations of the new millennium. Our witness, however, would be hopelessly inadequate if we ourselves had not first contemplated His FACE!” – Pope St. John Paul II
While there are many beautiful images of the Face of Christ, the great gift of the Holy Face of Manoppello has been made known to the world in our time to give us hope in His Mercy, and His Peace in the midst of trial — to shine the light of His Face upon us – bringing light to the darkness of our world. If you cannot go to Manoppello as a pilgrim, as Pope Emeritus Benedict XVI did in 2006, you can enjoy these incredible, beautiful photos of the Holy Veil by Paul Badde:
The sheer Veil of Manoppello Photo: Paul Badde/EWTN
Hand behind the sheer Veil of Manoppello, “not made by human hand” clearly shows the miraculous nature of “Il Volto Santo” Photo: Paul Badde/EWTN
Gossamer-thin veil of Manoppello Photo by Paul Badde
Holy Veil of Manoppello, Photo: Paul Badde/EWTN
Holy Face of Manoppello Veil, Photo by Paul Badde/EWTN
“Il Volto Santo” The Holy Face of Manoppello. (Photo by Paul Badde/EWTN)
The Holy Face of Manoppello, (Photo: Paul Badde)
Holy Face of Manoppello, Italy Photo: Paul Badde
The Veil of the Holy Face of Manoppello “the Living Face” Photo: Paul Badde/EWTN
Prayer to reproduce the Image of God in our souls
Our Lord told Sr. Marie St. Pierre, a Discalced Carmelite Nun, from France, that the image of His Holy Face is like a Divine stamp, which if applied to souls, through prayer, has the power of imprinting anew within them the Image of God.
I salute You! I adore you and I love you, O adorable face of my beloved Jesus, as the noble stamp of the Divinity! Completely surrendering my soul to You, I most humbly beg You to stamp this seal upon us all, so the image of God may once more be reproduced in our souls. Amen.
May the Lord bless and keep you; may He make His Face shine upon and be merciful to you; may He turn His Countenance toward you and grant you His PEACE! (Num 6:22-27)
Padre Pio called the Holy Veil of Manoppello the “greatest relic of the Church” photo: Patricia Enk
The Mass of St. Gregory I by Robert Campin 15th Century
The book of Revelation of St. John unveils for its reader the beauty of the liturgy of the Mass. “A throne stood in heaven, with one seated on the throne:” “The Lord God.” (Rev. 4:2) It then shows the Lamb (Jesus Christ), “standing, as though it had been slain” (Rev. 5:6): Christ crucified and risen, the one high priest of the true sanctuary, the same one “who offers and is offered, who gives and is given.” (St. John Chrysostom) All in heaven and on Earth who take part in the service of the praise of God participate in the eternal liturgy whenever we celebrate the mystery of salvation. The sacramental celebration is woven with signs and symbols which are rich in meaning. “God speaks to man through visible creation. The material cosmos is so presented to man’s intelligence that he can read there traces of its Creator.” (CCC 1147) “…these perceptible realities can become means of expressing the action of God who sanctifies men, and the action of men who offer worship to God.” (CCC 1148)
We may not know or appreciate the meaning of these “signs and symbols” in the liturgy, but they are there all the same. For example, We may give little thought to the meaning of a simple action by the priest or deacon of handling or folding the altar linen or the corporal, but a German theologian, Klaus Berger, has recently made a stunning discovery which shines a bright light on the deep symbolism contained in this humble action. Mr. Berger, while doing research for an extensive commentary on Revelation by St. John, uncovered the surprising connection between the altar linens prescribed for the liturgy and the burial cloths of Christ mentioned in the Gospels. Mr. Berger then shared his amazing discovery, which reveals the key liturgical role of the cloths, with Paul Badde, who has written extensively on the sudaria or burial cloths of Jesus (The True Icon). Paul has written a truly fascinating article about the discovery for Catholic News Agency (German) The translation may be found on Raymond Frost’s Manoppello blogspot (click here for full article in English).
In the article Paul Badde explains the theological connection between the burial cloths which touched the Body and Blood of Jesus and the altar cloth and corporal, the white linen napkin on which are placed the vessels containing the Body and Blood of Christ during Mass. The corporal, which was to be made of pure linen, could only be touched reverently by the priest with his thumb and forefinger in the old rite.
Detail of Mass of St. Gregory I
The connection between these altar cloths used in the liturgy and the sudarium, or burial cloths of Jesus (Shroud of Turin and Veil of Manoppello) says Paul Badde, can be understood in reference to a vision of Pope Gregory I during a Mass when Jesus, appeared as the Man of Sorrows during the Consecration of the Eucharist, reflecting the true Presence of Christ. Pope St. Gregory the Great, “The Father of Christian Worship,” is renown for his exceptional efforts is revising the liturgy of his day.
The cloths used in the liturgy are rich in symbol and meaning which can aid us in our devotion. During the Mass we may not see Christ with our bodily eyes, but He is present. Knowing our weakness, in His infinite mercy He has left us His image to contemplate on the Shroud of Turin and the Veil of Manoppello so that we may call them to mind when gazing with faith on the simple linen cloths used in the Mass. The images make manifest the “cloud of witnesses” (Heb. 12:1) mentioned in St. John’s Revelation: The Heavenly powers, all creation, the servants of the Old and New Covenants the new People of God especially the martyrs “slain for the word of God,” and the all-holy Mother of God (the Woman clothed with the sun with the moon at her feet), The Bride of the Lamb, and finally “a great multitude which no one could number, from every nation, from all tribes, and peoples and tongues.” (Rev.7:9)
Holy Face on The Shroud of Turin
“Illiterate men can contemplate in the lines of an image what they cannot learn by means of the written word.” – Pope St. Gregory the Great
“The beauty of the images moves me to contemplation, as a meadow delights the eyes and subtly infuses the soul with the glory of God.”–St. John Damascene
Illumina Domine Blog - Devotion to The Holy Face 